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<title>Antoinette Burton</title>
<link>http://hdl.handle.net/2142/2300</link>
<description>Specializes in women, gender and empire in the context of modern Britain and colonial India.</description>
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<rdf:li resource="http://hdl.handle.net/2142/2293"/>
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<title>Cold War Cosmopolitanism: The Education of Santha Rama Rau in the Age of Bandung, 1945-1954</title>
<link>http://hdl.handle.net/2142/2384</link>
<description>Cold War Cosmopolitanism: The Education of Santha Rama Rau in the Age of Bandung, 1945-1954

Burton, A.M.

When Santha Rama Rau burst onto the international literary scene in 1945 with&#13;
her first book, Home to India, she was just twenty-two years old. Over half a dozen&#13;
books and half a century later, she was anthologized in a Norton reader as a writer, a&#13;
writing teacher, and the prototypical cosmopolitan of the twentieth century: “Born&#13;
in Madras, India . . . [she] lived all over the world, from England to South Africa&#13;
to Japan, until she settled in the United States.” Rama Rau’s transformation from&#13;
fledgling author into the embodiment of the modern cosmopolitan ideal was largely&#13;
a function of her elite status, her family connections, and the opportunities available&#13;
to her as an educated Indian woman. The daughter of a diplomat father and&#13;
an activist-feminist mother, she had all the credentials of the classic cosmopolite,&#13;
including a transnational childhood lived across the spaces of the British Raj and an&#13;
equally mobile adulthood facilitated by marriage to an American, Faubion Bowers,&#13;
and a career as a travel writer. Though she did not recognize herself as exceptional,&#13;
she conceded that her contemporaries might find her life “odd, peculiar, even a&#13;
little mad . . . or exotic.” Exoticism was, of course, a fate to which many ex-colonial&#13;
people who aspired to a cosmopolitan identity were subject in the decades following&#13;
the breakup of the British Empire. But Rama Rau’s story does more than reveal the&#13;
possibilities and limits of cosmopolitanism. Taken together, the books she produced&#13;
in the wake of her travels in the 1940s and 1950s articulate a shifting vision of global&#13;
community: from an earlier, Eurocentric model — rooted in a British/imperial worldview&#13;
— to a pan-Asian model — rooted in the realization of an emergent America centered&#13;
global hegemony. (From the article)

Rau, Santha Rama

Bandung

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<title>House/daughter/nation: Interiority, Architecture, and Historical Imagination in Janaki Majumdar's "Family History</title>
<link>http://hdl.handle.net/2142/2323</link>
<description>House/daughter/nation: Interiority, Architecture, and Historical Imagination in Janaki Majumdar's "Family History

Burton, A.M.

In an age of virtual reality, cyberspace, and migration of global proportions, the&#13;
very possibility of home is being vigorously contested. Whether it is identified as&#13;
"Africa," England, India or, more subversively, the "black Atlantic," home is neither&#13;
a stationary place nor a self-evident trope. Like all historical utterances, it is both&#13;
fictional and contingent, inflected by the particular social contexts out of which it is&#13;
fashioned and, of equal significance, defying the very materiality and permanence it&#13;
appears to embody as well. What concerns me here is how and under what conditions home&#13;
is recalled when a woman takes up the task of mapping domestic genealogies as a&#13;
daughter, and how the architecture she produces ends up figuring the nation in history.&#13;
More specifically, I want to examine what this work of reconstruction meant in the&#13;
context of 1930s Indian nation-building, in the hands of a prominent nationalist's&#13;
daughter who was bold enough to chronicle her family's history and, in the process,&#13;
to reveal her own persistent desire for the elusive fiction of home. (from the article)

Women

Social Status

Households

Great Britain

Majumdar, Janaki

India

Nationalism

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<item rdf:about="http://hdl.handle.net/2142/2297">
<title>Fearful Bodies into Disciplined Subjects: Pleasure, Romance, and the Family Drama of Colonial Reform in Mary Carpenter's Six Months in India</title>
<link>http://hdl.handle.net/2142/2297</link>
<description>Fearful Bodies into Disciplined Subjects: Pleasure, Romance, and the Family Drama of Colonial Reform in Mary Carpenter's Six Months in India

Burton, A.M.

Carpenter, Mary

Colonialism

Great Britain

India

Reform

</description>
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<item rdf:about="http://hdl.handle.net/2142/2293">
<title>When was Britain? Nostalgia for the Nation at the End of the "American Century."</title>
<link>http://hdl.handle.net/2142/2293</link>
<description>When was Britain? Nostalgia for the Nation at the End of the "American Century."

Burton, A.M.

Race Relations

Popular Culture

National Self-image

Great Britain

</description>
</item>
<item rdf:about="http://hdl.handle.net/2142/2292">
<title>Contesting the Zenana: the Mission to make "Lady Doctors for India," 1874-1885</title>
<link>http://hdl.handle.net/2142/2292</link>
<description>Contesting the Zenana: the Mission to make "Lady Doctors for India," 1874-1885

Burton, A.M.

Great Britain

Imperialism

India

London School of Medicine for Women

Physicians

Women

</description>
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<item rdf:about="http://hdl.handle.net/2142/2289">
<title>Tongues Untied: Lord Salisbury's "Black Man" and the Boundaries of Imperial Democracy</title>
<link>http://hdl.handle.net/2142/2289</link>
<description>Tongues Untied: Lord Salisbury's "Black Man" and the Boundaries of Imperial Democracy

Burton, A.M.

Salisbury, 3d Marquess of

Racism

Press

Parsis

Parliament

Naroji, Dadhabai

Great Britain

Elections

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