Note:This thesis is part of a research project submitted in partial fulfillment of the degree of Doctor of Musical Arts in the School of Music. The project also involved the preparation and performance of a recital of music related to the thesis topic.

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Title:A study of Johann Ulrich Steigleder’s Tablatur Buch darinnen daß Vatter unser (1627)
Author(s):DelGiorno, Nichol E.
Advisor(s):Robinson, Dana
Contributor(s):Robinson, Dana; Alwes, Chester L.; Mattax Moersch, Charlotte; Taube, Heinrich
Department / Program:School of Music
Discipline:Music
Degree Granting Institution:University of Illinois at Urbana-Champaign
Degree:A.Mus.D. (doctoral)
Subject(s):Johann Ulrich Steigleder
Baroque
Organ
Variations
Vatter unser im Himmelreich
Stuttgart
chorale setting
Abstract:Johann Ulrich Steigleder’s Tabulatur Buch darinnen daß Vatter unser auff 2, 3, und 4 Stimmen Componirt, und Viertzig mal Variit würdt, auch bey ieder Variatio ein sonderlicher bericht zufinden. Auff Orgeln, und allen andern Musicalischen Instrumenten ordenlich zu appliciren was published in Strassburg in 1627. Exhibiting influence from the English and Netherlandish, North and South German, and Italian schools of composition, the collection includes the following genres: fantasia, toccata, fugue, canon, ornamented chorale, bicinium, and imitative and non-imitative cantus firmus settings. This encyclopedic and didactic collection of settings on Vater unser im Himmelreich is unique in its inclusion of performance indicative headings that point to the practice of collaborative performance between organ and voice and organ and a solo instrument. This thesis surveys Steigleder’s variations, with particular attention to the use of the chorale tune in motivic design.
Issue Date:2018
Publisher:School of Music, College of Fine and Applied Arts, University of Illinois at Urbana-Champaign
Genre:Dissertation / Thesis
Type:Text
Image
Language:English
URI:http://hdl.handle.net/2142/102079
Rights Information:© 2018 Nichol DelGiorno
Date Available in IDEALS:2018-11-28


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