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|Title:||Ryunosuke Akutagawa's "Pastel Dragon": Classical China depicted through Imagism;
|Abstract:||The Pastel Dragon (Human, 1922.1)（「パステルの龍」:『人間』1922.1） is a collection of five western poems translated by Ryunosuke Akutagawa（芥川龍之介）. It begins with “works that I translated while sick in Shanghai（上海）,” which explains the circumstances behind the compiling of the collection. After a quick introduction to the two female poets, Judith Gautier (1845–1917) and Eunice Tietjens (1884–1944), Gautier’s poems Le Clair de Lune dans La Mer (Gekko月光, translated title by Akutagawa) and Le Pavillon de Porcelain (Suwemono no chin, 陶器の亭) are translated into Japanese in a classical-style free-verse poetry format, while Tietjens’ poems Crepscule, The Dandy, and Poetics were translated in a modern prose poetry format. All five poems depict China, and Akutagawa（芥川) views these as belonging to the Imagism movement. The analysis in this presentation focuses on the translated poem Gekko from Judith Gautier’s Le Livre de Jade and its English version in order to examine Pastel Dragon, ancient China in the Imagism style.|
|Genre:||Conference Paper / Presentation|
|Date Available in IDEALS:||2019-02-11|
This item appears in the following Collection(s)
Osaka City University-University of Illinois Exchange Symposium: Focus on Japanese Literature
Contains conference materials from the OCU-UI Symposium 2018, held at the University of Illinois at Urbana-Champaign on March 6, 2018.