Note:This thesis is part of a research project submitted in partial fulfillment of the degree of Doctor of Musical Arts in the School of Music. The project also involved the preparation and performance of a recital of music related to the thesis topic.

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Title:Evoking the music of Ecuador's Hatun Puncha-Inti Raymi Festival: A new work for symphonic flute
Author(s):Lima Guaman, Rocio
Advisor(s):Buchanan, Donna
Contributor(s):Keeble, Jonathan; Yeung, Ann; Ross, Michael
Department / Program:School of Music
Discipline:Music
Degree Granting Institution:University of Illinois at Urbana-Champaign
Degree:A.Mus.D. (doctoral)
Subject(s):Indigenous
music
Ecuador
Indigenous flute
Hatun Puncha
Inti Raymi
Wilson Haro
Symphonic flute
Abstract:This thesis explores the meaning and context of a newly commissioned work, Gotas de Rocio en la Warmi Rasu, for symphonic flute and orchestra by Ecuadorian composer Wilson Haro. This work depicts the Quechua festival of the Hatun Puncha-Inti Raymi in Cotacachi, Ecuador, in which an Ecuadorian indigenous transverse flute, the flauta, plays a crucial role. Flauta performance practice and indigenous aesthetics are thus integral elements in Haro’s compositional process. Therefore, to provide a context and framework for this new musical work, this thesis draws on multiple sources and investigatory methods, including fieldwork in the indigenous community of Turuku-Cotacachi. After providing a thorough explication of its context, the commissioned work is discussed in terms of compositional style, musical analysis, and symbolism as related to the Hatun Puncha-Inti Raymi and the flauta.
Issue Date:2020
Publisher:School of Music, College of Fine + Applied Arts, University of Illinois at Urbana-Champaign
Genre:Dissertation / Thesis
Type:Text
Image
Language:English
URI:http://hdl.handle.net/2142/108375
Rights Information:Copyright 2020 Rocio Lima Guaman
Date Available in IDEALS:2020-09-15


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