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Browse School of Music by Contributor "Hill, John W."
Now showing items 1-10 of 10
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(1996)Women ruled Florence for the first time in its history from 28 February 1621 until 14 July 1628, when, during the seven-and-a-half years between the death of Grand Duke Cosimo II (1590-1621) and the eighteenth birthday of ...
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(2010-08-20)My dissertation studies the intersections of colonial Spanish ecclesiastical and secular hegemonic orthodoxy, subaltern heterodoxy, the confraternity as an institutional nexus of these competing forces, and the musical ...
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(1994)This thesis compares eighteen different musical settings of the Petrarch sonnet "Tutto'l di piango; e poi la notte, quando." These settings include two unattributed recitation formulas from the Rocco Rodio Anthology and ...
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(1995)My father, Henry L. Nettles, is the possessor of a deep, rich bass voice. If given the chance he would have dedicated his life to the world of song. To a certain extent he has. However, he never achieved the acclaim and ...
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(2012-06-27)This study is an annotated bibliography of selected literature on harpsichord studies published before 2011. It is intended to serve as a guide and as a reference manual for anyone researching the harpsichord or harpsichord ...
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(1991)This dissertation deals with the instrumental ensemble music either composed or employed at the imperial court in Vienna during the reign of the Emperor Leopold I. The main focus of the study concerns the particular uses ...
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(2004)Manuel Rodrigues Coelho's Flores de musica (1620) holds a particularly important place in the history of Iberian keyboard music of the sixteenth and seventeenth centuries. As the first printed source of instrumental music ...
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Performance Insights for Mozart Piano Sonatas Derived from Eighteenth-Century Compositional Guides (2011-01-14)This thesis uses ideas found in the eighteenth-century composition guides of Joseph Riepel, Heinrich Christoph Koch, Anton Reicha and Johann Friedrich Daube to gain insight into the musical language found in the Mozart ...
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(2002)Vejvanovsky's musical style, like the other composers in the Hapsburg territories, is grounded in the principles of rhetoric and based on Italian models. Yet, he is able to inject a refreshing and individual approach to ...
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