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Browse School of Music by Contributor "Temperley, Nicholas"
Now showing items 1-19 of 19
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(2019-04-11)This dissertation consists of a study and transcription of two motets, O mysterium venerabile and Sacris solemniis, by Henry Du Mont (1610-84), taken from a collection of twenty of his motets published in Paris by Ballard ...
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(1991)This inquiry examines the role of the piano in the work of the composers known as Les Six at the time of their collaboration, here defined as 1917-1925. Influences upon pianistic style in their works are examined, including ...
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PDF (4MB)
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(1996)Herbert Howells's religious choral works are generally regarded as his primary contribution to the twentieth-century English music repertoire. According to Peter John Hodgson, Howells's most representative achievements are ...
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PDF (17MB)
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(2012-05-22)The Big Sing festival (TBS) in New Zealand exists as an extension of the British tradition of such choral festivals, a heritage that dates back as far as the establishment of the Welsh eisteddfod competitive festival ...
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PDF (5MB)
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(1992)"Cecilian Reform in Baltimore, 1868-1903" traces the reform of Roman Catholic liturgical music during one of its most controversial and least researched phases. Focusing on a single American city illustrates how a portion ...
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PDF (21MB)
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(2000)Sources used for the study include several hundred church orders and agendas, minutes of ecclesiastical visitations, hymnals, hymn-based musical compositions, tutorials and method books for teaching music (especially church ...
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PDF (24MB)
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(2003)*This dissertation is compound (contains both a paper copy and CD as part of the dissertation). The CD requires the following system requirements: Microsoft Office.
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PDF (7MB)
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(1995)This thesis investigates the underlying changes in the approach to fingering of keyboard music (mainly harpsichord and piano) between the late 1500s and the mid-nineteenth century. The main focus of the work centers around ...
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PDF (6MB)
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(1989)This work is a genre study of the German part-song between about 1790 and 1850. The primary goals of the study were (1) to identify and define a recognizable and common set of characteristics which constitute the typical ...
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PDF (24MB)
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(1993)Charles Villiers Stanford was a major force in bringing the music of the British Isles to the table of nationalism that had increasingly influenced the course of music in Europe throughout the nineteenth century. Born and ...
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PDF (18MB)
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(2011-05-25)From 1967-1969, John Cage (1912-1992) was an associate Member of the Center for Advanced Study at the University of Illinois. The appointment came about with the help of Lejaren Hiller, founder of the University of Illinois’ ...
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PDF (19MB)
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(1991)The development of the verse anthem with strings in Restoration England has been thoroughly researched by many people, and such compositions by Henry Purcell, John Blow, Pelham Humphrey and others are well known. However, ...
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(2004)The development of the sonata's function is also examined. The sonata in the classical era was a domestic genre. Its original purpose was either pedagogical or for amateur entertainment. Numerous "galant" sonatas were ...
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PDF (27MB)
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(1998)A brief sketch of Locke's life and work, as well as a summary of the writings of other scholars regarding his compositional style, is included. In an attempt to place the transcribed anthems into an historical context, ...
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(2000)To know what kinds of piano were available to composers in their lives greatly enhances our understanding of how to perform their music. Through this, we hope to understand the evolution of the singing piano.
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PDF (6MB)
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(1997)The analysis of these movements follows, presenting them chronologically, divided into two groups. Chapter II discusses works written before the 1780s: the Cacelienmesse "Gratias", the Stabat Mater "Virgo virginum praeclara" ...
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PDF (10MB)
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(1994)This study examines chamber style in the nineteenth century from the perspective of composition and performance, and demonstrates the role of scoring in the definition of string chamber style. Scoring, the specific manner ...
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PDF (19MB)
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(1990)During the time of the absolutist monarchy of Louis XIV (1643-1715), the musical genre of the Latin Te Deum setting held an important position in France. The four extant Te Deums of Marc-Antoine Charpentier represent some ...
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PDF (6MB)
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(2002)The examination of 134 works introduced in London and Germany between 1818 and 1838 illuminates some of the contemporary styles of fantasia writing in Bennett's time, and provides a number of comparative reference points ...
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PDF (8MB)
Now showing items 1-19 of 19