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Browse School of Music by Contributor "Thomas Turino"
Now showing items 1-11 of 11
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(1998)This work explores the adoption and resignification of salsa music in Cali, Colombia, as a case study in the development of contemporary popular identity and experience. By the 1980s, Cali emerged on the global scene as ...
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(2001)C. S. Peirce's theories of semiotics and continuity provide the basis for an answer as to how and why we perceive 'new' things, especially with regard to artistic discourse. By breaking down so-called 'extraordinary' moments ...
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PDF (19MB)
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(1999)The choro revival had several results. Its immediate effect was to fill a void in the expressive culture of sectors of the middle class, serving as a basis for reestablishing their Brazilian identity in a politically and ...
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PDF (18MB)
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(2008)This dissertation is an ethnography of the dance/drumming practices of Ndau communities in Zimbabwe along the Mozambique border. I attend to the specific drumming practices of the spirit possession ceremonies central to ...
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PDF (6MB)
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(2002)The primary purpose of this dissertation is to present a historical view of Matengo musical practices with the goal of understanding how these musical practices influenced, reflected, and interacted with broader social ...
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(2005)Based on extensive archival research conducted in La Paz and multi-sited fieldwork in Bolivia, Argentina and France, this dissertation chronicles the gradual construction of urban folkloric versions of rural Andean indigenous ...
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(2005)Chapter 1 deals with the genres that are considered under the umbrella term Forró, including baiao, xote, arrasta-pe, xaxado, coco, rojao, and forro itself, detailing each of them. Chapter 2 offers an overview of Forró ...
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PDF (8MB)
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(2009)The primary methodology upon which this work is based was participant-observation in four urban schools. In addition, perspectives from Reform administrators, experience narratives from numerous music teachers, and ...
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PDF (22MB)
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(2001)Each of the five women currently performs and records music in Santiago, and all of them have toured internationally. They originate from different generations, class backgrounds, and political orientations. Margot Loyola ...
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PDF (19MB)
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(2000)Chapter I provides the historical and ethnographic background needed to understand the array of forces that have shaped court music and the chieftaincy in Akuapem since the late 19th century. Chapter II presents an overview ...
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PDF (14MB)
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(2000)A case study of Cincinnati's MUSE---founded and directed by choral Feminism's pioneer Catherine Roma---explores how this chorus alone in the movement began as a White organization but became truly racially integrated.
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PDF (30MB)
Now showing items 1-11 of 11