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Description
Title: | The German part-song in the first half of the nineteenth century |
Author(s): | Henderson, Mark A. |
Doctoral Committee Chair(s): | Temperley, Nicholas |
Department / Program: | Music |
Discipline: | Music |
Degree Granting Institution: | University of Illinois at Urbana-Champaign |
Degree: | D.M.A. |
Genre: | Dissertation |
Subject(s): | Music |
Abstract: | This work is a genre study of the German part-song between about 1790 and 1850. The primary goals of the study were (1) to identify and define a recognizable and common set of characteristics which constitute the typical German part-song of the period, also (2) to relate the social and political conditions which helped give it its shape, and finally (3) to select out a number of part-songs of interest to both historians and performers. Three major areas are covered in the course of the work. The first looks at the social/political setting, including the drive toward German unification as it relates to the topic. The second investigates the part-songs of, primarily, Schubert, Schumann, and Mendelssohn, but also of other composers, and then treats the question of performance practice. The third consists of an Appendix containing a translation of Hans Georg Nageli's "Eighty-One Part-Songs and Choruses...", some bylaws of representative choruses of the period, and finally, a rather large number of part-songs, many of which are not otherwise available in print and which, together, give a broad overview of the early nineteenth-century part-song. |
Issue Date: | 1989 |
Type: | Text |
Language: | English |
URI: | http://hdl.handle.net/2142/20349 |
Rights Information: | Copyright 1989 Henderson, Mark A. |
Date Available in IDEALS: | 2011-05-07 |
Identifier in Online Catalog: | AAI8916261 |
OCLC Identifier: | (UMI)AAI8916261 |
This item appears in the following Collection(s)
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Graduate Dissertations and Theses at Illinois
Graduate Theses and Dissertations at Illinois -
Dissertations and Theses [Graduate College] - Music