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Browse Doctoral Project Theses [Option 2] - Music by Title
Now showing items 78-97 of 139
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(University of Illinois, 2014-11)The musical language spoken by jazz musicians during the hard bop era (circa 1954-1965) evolved because of the influence of Miles Davis, John Coltrane, and Ornette Coleman. Their albums Kind of Blue, Giant Steps, and The ...
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(University of Illinois, 2016)John Birks “Dizzy” Gillespie has been acknowledged for his profound impact on the development of the jazz styles of bebop and Afro/Cuban jazz, however previous assessments of his improvisational style with respect to his ...
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(University of Illinois, 2014)This dissertation concerns itself with the impact that spectral music had on my musical thought. It begins by examining classic French spectral music of the 1970s and 1980s as developed by the group of composers known ...
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(University of Illinois, 2016)This project examines Pascal Dusapin’s musical essence through his stylistic periods. The composer’s early music (late 1970s to 80s) is characterized by microtonality; an intermediate period (1988-90) presents a ...
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(School of Music, College of Fine and Applied Arts, University of Illinois at Urbana-Champaign, 2020)This project provides a comprehensive pedagogical guide for teachers and intermediate to advanced students who wish to explore Mompou’s piano repertoire but are unfamiliar with it. Chapter 1 briefly explores ...
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(School of Music, College of Fine and Applied Arts, University of Illinois at Urbana-Champaign, 2018)This study explores keyboard compositions by Jacques Duphly, a French Baroque composer, and investigates the suitability of his pieces for pianists from a pedagogical and performance perspective. ...
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(School of Music, College of Fine and Applied Arts, University of Illinois at Urbana-Champaign, 2018)Italian composer Francesco Paolo Tosti produced a large number of well-crafted songs in Italian, French and English, many of which (especially the Italian songs) are staple repertoire choices for undergraduate ...
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(School of Music, College of Fine and Applied Arts, University of Illinois at Urbana-Champaign, 2020)Well-established American composers began writing solo marimba music in 1980. One of the primary persons responsible for this movement was William Moersch. Moersch commissioned over a dozen works for solo marimba ...
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(University of Illinois, 2016)This document looks at selected percussion works of Spanish composer and violinist Igmar Alderete. The focus of this document is to examine five separate works and to provide suggestions that will guide a performer during ...
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(School of Music. College of Fine and Applied Arts. University of Illinois at Urbana-Champaign., 2017-04-07)American composer William Bolcom (b. 1938) established his reputation through his use of diverse styles namely atonality, interval series, neoclassicism, jazz, pop music, and ragtime. However, his clarinet repertoire ...
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(University of Illinois, 2015-03)This paper examines the trombone and piano works of Anthony Plog, including 3 Miniatures (1994), 4 Themes on Paintings of Goya (2001), Divergent Roads (2014), Initiatives (2014) and Interplay (2014). In it, I provide an ...
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(School of Music, College of Fine and Applied Arts, University of Illinois at Urbana-Champaign, 2018)Transcriptions of Bach's chorale preludes have largely been an unexplored area of the piano repertoire, although these often direct and faithful arrangements offer excellent opportunities for pianists to work ...
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(2015-03)Stephen Heller composed many works for piano including études, preludes, character pieces, sonatas, and themes and variations. He also transcribed many works for piano by other composers such as Mendelssohn, Schumann, ...
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(School of Music, College of Fine & Applied Arts, University of Illinois at Urbana-Champaign, 2020)This thesis explores the composition Flaming Walls, a trio for trumpet, trombone, and piano written by American composer Zack Browning. Flaming Walls was commissioned by the Florida-based ensemble Confluences who premiered ...
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(School of Music, College of Fine and Applied Arts, University of Illinois at Urbana-Champaign, 2019)Many violists live with the notion that the instrument causes pain. Using the second movement (Lebhaft) of Robert Schumann’s Märchenbilder (Fairy Tale Pictures) for Viola and Piano, Op. 113 as its center, this project ...
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(School of Music. College of Fine and Applied Arts. University of Illinois at Urbana-Champaign., 2017-04-04)This study focuses on Reynaldo Hahn’s solo piano work, Le Rossignol éperdu (“The Bewildered Nightingale”) (1902-1910), the largest instrumental work by the composer. Le Rossignol éperdu is a collection of ...
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(University of Illinois, 2016)The sacred choral music of Andreas Hammerschmidt (1611/12-1675) includes some forty-eight pieces which call for one or more trombones, and twelve that require no other instruments besides trombones and basso continuo to ...
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(University of Illinois, 2016)The purpose of this research, in support of a doctoral recital, is to explore performance issues and techniques that will help modern performers prepare Beethoven’s String Quartet Op.18 No. 4. Topics include: 1) an overview ...
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(School of Music, College of Fine and Applied Arts, University of Illinois at Urbana-Champaign, 2018)While various scholars have identified Thomas Adès’s primary means of generating pitch material — various patterns of expanding intervals both linear and vertical — there remains a void in the commentary ...
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(University of Illinois, 2017)The purpose of this study is to explore the little known genre quatuor brillant during its flourishing at the turn of the nineteenth century in Paris. Although the quatuor brillant is written for four string instruments, ...
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Now showing items 78-97 of 139