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Inventário do caos: Rogério Duarte, Tropicália e pós-modernidade

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Title: Inventário do caos: Rogério Duarte, Tropicália e pós-modernidade
Author(s): Teixeira, Narlan
Director of Research: Tosta, Antonio L.
Doctoral Committee Chair(s): Tosta, Antonio L.
Doctoral Committee Member(s): Goldman, Dara E.; Hassan, Wail S.; Dunn, Christopher
Department / Program: Spanish, Italian & Portuguese
Discipline: Portuguese
Degree Granting Institution: University of Illinois at Urbana-Champaign
Degree: Ph.D.
Genre: Dissertation
Subject(s): Tropicália Rogério Duarte Brazil Postmodernity Mass media Notes on Industrial Design
Abstract: Tropicália was a Brazilian cultural revolution in the 1960s that operated in various artistic fronts including cinema, music, photography, theatre, and design. Although Rogério Duarte was one of the principal mentors of Tropicália—having acted as a theoretician and as an artist—and was, along with this, one of the initiators of post-modernity in Brazil, his legacy is yet to be incorporated into both the critical canon of Tropicália and post-modernity in Brazil. Moreover, Rogério Duarte's life, full of pitfalls, remains unknown. This in itself is also important to understanding his aesthetic and theoretical positions. Here, I make an inventory of Rogério Duarte's intellectual legacy and aesthetics through analysis of Notas Sobre o Desenho Industrial (Notes on Industrial Design) — a theoretical text published by Rogério Duarte in 1965 that, despite its focus on industrial design in Brazil, ended up being a reflection on post-modernity and 'tropicalism' in general.
Issue Date: 2012-09-18
URI: http://hdl.handle.net/2142/34519
Rights Information: Copyright 2012 Narlan Matos Teixeira
Date Available in IDEALS: 2012-09-18
Date Deposited: 2012-08
 

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