The Paradox of Preservation

Abstract

This article explores historical, political, and professional paradoxes that underlie efforts to preserve cultural heritage. These paradoxes are illustrated through five case studies: the discovery of the Nag Hammadi bindings, approaches to the preservation of Auschwitz, the Danish cartoons depicting Muhammad, the destruction of the Bamiyan Buddhas, and the creation of a protective structure for the Hamar Cathedral ruins. Although it is not possible to preserve everything, it is suggested that the shift from the traditional custodial model of caring for collections to one with greater community input may lead to new preservation strategies—and to new ways of defining preservation. Through our attempts to preserve under highly complex circumstances and equally complex issues, our standard notions of what constitutes preservation come into question, and some aspects of preservation remain paradoxical.