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|Title:||The Conservator's Gaze and the Nature of the Work|
|Abstract:||Aesthetic philosophers, theorizing literary critics and editors, and reflective commentators on the restoration of paintings, buildings, and monuments have repeatedly shown that the concept of the work is anything but self-evident. The present essay examines major attempts to conceptualize this problematic area since the 1930s, before proposing a solution based on the semiotics of C. S. Peirce and Theodor Adorno’s negative dialectics that will help clarify thinking when practices of preservation and conservation are being determined. The language and thinking come ultimately from scholarly editorial activity; the working assumption is that, with suitable adjustments for the medium, it will apply to other historically orientated forms of cultural conservation.|
|Publisher:||Johns Hopkins University Press and the Graduate School of Library and Information Science. University of Illinois at Urbana-Champaign.|
|Citation Info:||In Library Trends 56(1) Summer 2007: 80–106.|
|Publication Status:||published or submitted for publication|
|Rights Information:||Copyright 2007 Board of Trustees of the University of Illinois|
|Date Available in IDEALS:||2008-03-14|
This item appears in the following Collection(s)
Library Trends 56 (1) Summer 2007: Preserving Cultural Heritage
Library Trends 56 (1) Summer 2007: Preserving Cultural Heritage. Edited by Michèle V. Cloonan and Ross Harvey.