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Description
Title: | The Symphonies of Johann Michael Haydn: A Chronological Perspective Using Theories of Joseph Riepel and Heinrich Christoph Koch |
Author(s): | Hellenbrand, Gregory Thomas |
Doctoral Committee Chair(s): | Hill, John Walter |
Department / Program: | Music |
Discipline: | Music |
Degree Granting Institution: | University of Illinois at Urbana-Champaign |
Degree: | Ph.D. |
Genre: | Dissertation |
Subject(s): | Education, Music |
Abstract: | By an extrapolation of eighteenth-century theories of melody, this study was able to accomplish a more precise application of eighteenth-century musical thinking as shown in a large body of work by one composer. The application of these theories meets the challenge as a useful and reliably pedagogical guide to the music of their time as alternatives to the theories of the last two centuries, which were foreign to eighteenth-century thinking. Joseph Riepel's and Heinrich Christoph Koch's theories have a historical relevance to the study of music of Michael Haydn and his eighteenth-century contemporaries. |
Issue Date: | 2006 |
Type: | Text |
Language: | English |
Description: | 1004 p. Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2006. |
URI: | http://hdl.handle.net/2142/85774 |
Other Identifier(s): | (MiAaPQ)AAI3242868 |
Date Available in IDEALS: | 2015-09-25 |
Date Deposited: | 2006 |
This item appears in the following Collection(s)
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Dissertations and Theses [Graduate College] - Music
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Graduate Dissertations and Theses at Illinois
Graduate Theses and Dissertations at Illinois