Note:This scholarly essay is part of a research project submitted in partial fulfillment of the degree of Doctor of Musical Arts in the School of Music. The project also involved the preparation and performance of two lecture recitals related to the essay topic.
Files in this item
| Files | Description | Format |
|---|---|---|
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application/pdf  Tong Wu_Scholarly Essay.pdf (4MB) | (no description provided) |
Description
| Title: | Charles Noblet's "Nouvelles suites de pieces de clavecin et trois sonates avec accompagnement de violon" |
| Author(s): | Wu, Tong |
| Advisor(s): | Professor Charlotte Mattax Moersch |
| Contributor(s): | Professor Ian Hobson; Assistant Professor Christopher Macklin; Assistant Professor Andrea Solya |
| Department / Program: | School of Music |
| Discipline: | Music |
| Degree Granting Institution: | University of Illinois at Urbana-Champaign |
| Degree: | A.Mus.D. (doctoral) |
| Subject(s): | Charles
Noblet:clavecin pieces nouvelles suites Tong Wu |
| Abstract: | This paper sheds light on the on the stylistic aspects of Charles Noblet's late work, "Nouvelles suites de pieces de clavecin et trois sonates avec accompagnement de violon", as well as Baroque and post-Baroque French keyboard performance practices as they relate to the performance of Noblet's work. |
| Issue Date: | 2016 |
| Publisher: | University of Illinois |
| Citation Info: | Wu, Tong. Charles Noblet's "Nouvelles suites de pieces de clavecin et trois sonates avec accompagnement de violon". Scholarly essay submitted at the University of Illinois, Urbana-Champaign, School of Music, 2016. |
| Genre: | Essay |
| Type: | Text |
| Language: | English |
| URI: | http://hdl.handle.net/2142/90164 |
| Date Available in IDEALS: | 2016-05-24 |