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        <datestamp>2023-09-04</datestamp>
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          <dc:contributor>Solis, Gabriel</dc:contributor>
          <dc:contributor>Silvers, Michael</dc:contributor>
          <dc:contributor>Magee, Jeffrey</dc:contributor>
          <dc:contributor>Turnock, Julie</dc:contributor>
          <dc:date>2023-05</dc:date>
          <dc:format>application/pdf</dc:format>
          <dc:language>en</dc:language>
          <dc:type>text</dc:type>
          <dc:description>Submission original under an indefinite embargo labeled 'Open Access'. The submission was exported from vireo on 2023-09-01 without embargo terms</dc:description>
          <dc:description>The student, Wes Sharp, accepted the attached license on 2023-04-25 at 22:35.</dc:description>
          <dc:description>The student, Wes Sharp, submitted this Dissertation for approval on 2023-04-25 at 22:47.</dc:description>
          <dc:description>This Dissertation was approved for publication on 2023-04-27 at 08:55.</dc:description>
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          <dc:title>Sounding super: Examining aspects of music and sound design in American superhero media</dc:title>
          <dc:creator>Sharp, Wes T.</dc:creator>
          <dc:date>2023-04-27</dc:date>
          <dc:subject>Superhero</dc:subject>
          <dc:subject>Music</dc:subject>
          <dc:subject>Sound Design</dc:subject>
          <dc:subject>Cinema</dc:subject>
          <dc:subject>Theater</dc:subject>
          <dc:subject>Videogame</dc:subject>
          <dc:subject>Comic Book</dc:subject>
          <dc:subject>Comics</dc:subject>
          <dc:subject>Graphic Novel</dc:subject>
          <dc:description>In this dissertation I examine relationships between music and sound design in American superhero media. I examine how sound and music are used in audiovisual media to both establish and deconstruct generic conventions. I discuss music and sound design in superhero media from several angles, including their relationship to genre, aesthetics, and popular culture. I begin each chapter with broader theories related to the topics I will discuss and then use case studies to show examples of these broader theories. In Chapter 1, I examine superhero media as a “supergenre” that incorporates musical and sound conventions of multiple discrete media genres. In Chapter 2, I examine superhero media as a middlebrow postmodern transmedia genre and examine how these conventions affect the reception and production of superhero media versus other genres. In Chapter 3 I examine fan interactions with superhero media, including production and reception of fan-made media as a form of creative interaction. In Chapter 4, I examine various forms of parody as interaction with the conventions of superhero media.</dc:description>
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          <dc:language>eng</dc:language>
          <dc:identifier>https://hdl.handle.net/2142/120083</dc:identifier>
          <dc:rights>Copyright 2023 Wes Sharp</dc:rights>
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            <level>Dissertation</level>
            <discipline>Musicology</discipline>
            <grantor>University of Illinois at Urbana-Champaign</grantor>
            <department>Music</department>
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