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          <dc:contributor>Nazar, Hina</dc:contributor>
          <dc:contributor>Nazar, Hina</dc:contributor>
          <dc:contributor>Pollock, Anthony</dc:contributor>
          <dc:contributor>Markley, Robert</dc:contributor>
          <dc:contributor>Weiss, Deborah</dc:contributor>
          <dc:date>2023-08</dc:date>
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          <dc:description>Submission published under a 24 month embargo labeled 'Closed Access', the embargo will last until 2025-08-01</dc:description>
          <dc:description>The student, Megan Cole, accepted the attached license on 2023-06-14 at 08:22.</dc:description>
          <dc:description>The student, Megan Cole, submitted this Dissertation for approval on 2023-06-14 at 08:59.</dc:description>
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          <dc:title>Celibate pleasures: convents, asexuality, and women's agency in British literature, 1660-1760</dc:title>
          <dc:creator>Cole, Megan Elizabeth</dc:creator>
          <dc:date>2023-06-22</dc:date>
          <dc:subject>Singleness</dc:subject>
          <dc:subject>Asexuality</dc:subject>
          <dc:subject>Women Writers</dc:subject>
          <dc:subject>Eighteenth Century</dc:subject>
          <dc:description>“Celibate Pleasures” explores the importance of singleness to conceptualizations of female agency in British literature and culture in the early Enlightenment period. While critical narratives of women’s rejection of sex and/or marriage in literature of the period focus on the potential for closeted same-sex desire, I draw on the burgeoning field of early modern asexuality studies to take seriously women’s expressed desire for singleness, celibacy, chastity, and asexuality. As such, I bring to light an understudied phenomenon from the early moments of feminism, in which women, drawing on the legacy of medieval nuns, articulated singleness—and particularly vocational celibacy, an ideal which was lost in England after the Reformation—not as a restricted lifepath, but as one that opened up new pleasures, opportunities, and relational modes. In uncovering the single woman as a queer, subversive figure, I bring to light an underrecognized transhistorical strain of thought, uniting eighteenth-century women with their medieval predecessors and twenty-first-century legacy.</dc:description>
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          <dc:rights>Copyright 2023 Megan Cole</dc:rights>
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            <discipline>English</discipline>
            <grantor>University of Illinois at Urbana-Champaign</grantor>
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