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        <datestamp>2023-07-10</datestamp>
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        <thesis xmlns="http://www.ndltd.org/standards/metadata/etdms/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.ndltd.org/standards/metadata/etdms/1.1/ http://www.ndltd.org/standards/metadata/etdms/1.1/etdms11.xsd http://purl.org/dc/elements/1.1/ http://www.ndltd.org/standards/metadata/etdms/1.1/etdmsdc.xsd">
          <dc:contributor>Koenker, Diane P.</dc:contributor>
          <dc:contributor>Koenker, Diane P.</dc:contributor>
          <dc:creator>Hamm, Kristen E.</dc:creator>
          <dc:date>2010-01-06T16:20:09Z</dc:date>
          <dc:date>2010-01-06T16:20:09Z</dc:date>
          <dc:date>2010-01-06T16:20:09Z</dc:date>
          <dc:description>"This project places the art form of Soviet classical ballet within the political and cultural context of the Khrushchev-era Thaw. It traces the Soviet Union's long-standing nationalities policy--envisioned by Lenin even before 1917 and championed by Stalin throughout his tenure--and its connection to the proliferation of state-sponsored classical ballet theatres across the ethnically diverse, non-Russian regions and republics of the USSR. Classical ballet served a dual purpose in fulfilling the Soviet Union's claim to be the most culturally, scientifically, economically, and politically advanced country on earth. First, the internationally-heralded achievements of Russia's two oldest ballet institutions--the Bolshoi and Kirov Theatres--served to demonstrate Soviet cultural superiority to the rest of the world. Second, by founding state-sponsored ballet theatres in its peripheries, the Soviet Union utilized the art form of classical dance as a part of its civilizing mission to spread culture to its own ""backward"" regions. The artistic achievements of these provincial and republic ballet theatres served as a powerful source of propaganda, not only to Moscow and Leningrad, but also abroad, emphasizing the Soviet Union's dedication to cultural development even in traditionally under-developed regions."</dc:description>
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University of Illinois Theses &amp; Dissertations (ID: 1)
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          <dc:identifier>http://hdl.handle.net/2142/14632</dc:identifier>
          <dc:language>en</dc:language>
          <dc:rights>Copyright 2009 Kristen E. Hamm</dc:rights>
          <dc:subject>Soviet Union--Cultural History</dc:subject>
          <dc:subject>Soviet Union--Ballet</dc:subject>
          <dc:subject>Soviet Union--Government Policy--Minorities</dc:subject>
          <dc:title>"""The friendship of peoples"": Soviet ballet, nationalities policy, and the artistic media, 1953-1968"</dc:title>
          <dc:date>2009-12</dc:date>
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            <department>Russian,E European,Eurasn Ctr</department>
            <departmentCode>1553</departmentCode>
            <discipline>Russian, E Eur, Eurasian St</discipline>
            <disciplineCode>4097</disciplineCode>
            <grantor>University of Illinois at Urbana-Champaign</grantor>
            <level>Thesis</level>
            <name>M.A.</name>
            <program>MA:Rus,E Eur, &amp; Eursn St -UIUC</program>
            <programCode>10KS4097MA</programCode>
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