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          <dc:contributor>Hostetter, Eric R.</dc:contributor>
          <dc:contributor>Hostetter, Eric R.</dc:contributor>
          <dc:contributor>Dengate, James</dc:contributor>
          <dc:contributor>Wisseman, Sarah U.</dc:contributor>
          <dc:contributor>Wood, Jeryldene M.</dc:contributor>
          <dc:creator>Martinez, Victor M.</dc:creator>
          <dc:date>2010-01-06T17:49:23Z</dc:date>
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          <dc:date>2010-01-06T17:49:23Z</dc:date>
          <dc:date>2009-12</dc:date>
          <dc:description>My dissertation traces the Italic roots for the iconographies and roles of Herakles in central and northern Italy (i.e., Etrusco-Italic Herclé) prior to Roman hegemony (ca. 1000-300 BCE).  The thesis begins with the premise that this hero-god, commonly known as Herclé, after his Greek namesake, may have had an indigenous ancestry in central and northern Italy.  I argue that, although one cannot trace a direct teleological evolution for Herclé that goes back to the beginning of anthropomorphization, earlier and more anonymous Italic hero-figures embody indigenous and deeply rooted cultural meanings that are evident in subsequent representations of Herclé.  In shaping my theorization of the indigenous, Italic roots of Herclé, I draw especially on the work of Richard White and Mary Helms.  White’s concept of the “middle ground,” which refers to both a geographic location (literally a space of interaction) and a cultural stance (the overlap or place between two differing cultures) is a compelling lens through which to understand the interaction between Greeks and Italic populations.  Helms outlines a theory of how distance affects the formation of ideology among ruling elites, such that spatial and temporal distances become linked and equivalent on a cosmological scale.  In applying these ideas to the study of objects, I used quantitative elements such as iconography and materiality to get at underlying socio-cultural structure and meaning at both local and regional levels.</dc:description>
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          <dc:identifier>http://hdl.handle.net/2142/14754</dc:identifier>
          <dc:language>en</dc:language>
          <dc:rights>Copyright 2009 Victor M Martinez</dc:rights>
          <dc:subject>Etruscan</dc:subject>
          <dc:subject>Herakles</dc:subject>
          <dc:subject>Hercle</dc:subject>
          <dc:subject>Iconography</dc:subject>
          <dc:subject>Richard White</dc:subject>
          <dc:subject>Mary Helms</dc:subject>
          <dc:title>Etrusco-Italic Herclé: a study in the formation of image, cult, and regional identity</dc:title>
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            <department>Art &amp; Design</department>
            <departmentCode>1526</departmentCode>
            <discipline>Art History</discipline>
            <disciplineCode>0250</disciplineCode>
            <grantor>University of Illinois at Urbana-Champaign</grantor>
            <level>Dissertation</level>
            <name>Ph.D.</name>
            <program>PHD:Art History -UIUC</program>
            <programCode>10KS0250PHD</programCode>
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