2026-09-22T08:24:54Z https://www.ideals.illinois.edu/oai-pmh

oai:www.ideals.illinois.edu:2142/18361 2023-07-10 col_2142_14832 col_2142_5131 com_2142_14831 com_2142_5126 com_2142_5130

Taube, Heinrich K. Lund, Erik R. Taube, Heinrich K. Heiles, William H. Ward, Thomas R. Huang, Tsai-Yun 2011-01-14T22:47:39Z 2011-01-14T22:47:39Z 2011-01-14T22:47:39Z 2010-12 The purpose of this study is to show composer Chen Yi (b.1953)’s musical synthesis of East and West. Examples and analysis are made from the following selected pieces: Fiddle Suite, The Points, Ancient Dances, Ning, Song in Winter, Chinese Fables and Ancient Beauty, which all contain Chinese instruments. Technical issues of combining Chinese and Western instruments are discussed, as well as Chinese philosophy and the arts that inspire the pieces. In addition, examples are made to show the influences of Chinese traditional music in Chen’s music, as well as the absorption of Western twentieth century compositional techniques as more systematic methods to support her compositions. Item withdrawn by Mark Zulauf (zulauf@illinois.edu) on 2010-12-02T19:31:23Z Item was in collections: University of Illinois Theses & Dissertations (ID: 1) No. of bitstreams: 1 Huang_Tsai-yun.pdf: 56362203 bytes, checksum: 1b4f6915757c644b3fcd797d41abbf90 (MD5) Made available in DSpace on 2011-01-14T22:47:39Z (GMT). No. of bitstreams: 2 Huang_Tsai-yun.pdf: 56633857 bytes, checksum: eec9cfa218d13f464a31dc6976242103 (MD5) license.txt: 4059 bytes, checksum: 02cd86ab4ccd159188e7d2ebe4c4fbdf (MD5) http://hdl.handle.net/2142/18361 en Copyright 2010 Tsai-Yun Huang Chinese instruments in a western contemporary idiom selected works of Chen Yi Music 1495 Music 0265 University of Illinois at Urbana-Champaign Dissertation A.Mus.D. AMUSD:Music -UIUC 10KS0265AMUS