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        <identifier>oai:www.ideals.illinois.edu:2142/18939</identifier>
        <datestamp>2023-07-10</datestamp>
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        <thesis xmlns="http://www.ndltd.org/standards/metadata/etdms/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.ndltd.org/standards/metadata/etdms/1.1/ http://www.ndltd.org/standards/metadata/etdms/1.1/etdms11.xsd http://purl.org/dc/elements/1.1/ http://www.ndltd.org/standards/metadata/etdms/1.1/etdmsdc.xsd">
          <dc:contributor>Nelson, Robert J.</dc:contributor>
          <dc:creator>Hockman, Kenneth Charles</dc:creator>
          <dc:date>2011-05-07T11:52:01Z</dc:date>
          <dc:date>2011-05-07T11:52:01Z</dc:date>
          <dc:date>10000-01-01</dc:date>
          <dc:date>1994</dc:date>
          <dc:description>The discovery of the calculus registers an epistemological shift. A differential calculus permits the localization of a point as a limit of a formal procedure, such as the maximum achieved by a curve. Under such localization, the imperfection of a mechanical measurement is corrected by the exact determination of the formal method. The actual physical contact of the scientist with his apparatuses serves as a culmination of his experimental encounter with the force of the universe. In like manner, desire emerges as a force independent from other social formations. An effort to localize this desire as sexual corresponds to the similar procedure that motivates the calculus's determination of a maximum. Where desire was previously regulated by narrative processes to maintain state legitimacy, the emerging fiction meditates on the suspension of the satisfaction of the narrative model. I situate my study of the differential calculus in the work of Pascal. Throughout his works a constructive notion of time, a fiction of duration, threads a narrative that extends from his scientific treatises to his theological and philosophical speculations. These writings portray a subject contemplating a tragic vision and I extend this vision to the fiction treated in this study: Madame de Lafayette's La Princesse de Cleve, Crebillon's Les Egarements du coeur et de l'esprit and Les Lettres de la Marquise de M*** au Comte de R***, Rousseau's Julie ou la Nouvelle Heloise, and Laclos's Les Liaisons dangereuses. The model of the integral calculus offers justification for the localization of a point as part of a description of the totality of matter in the universe. When the subject considers his abandonment by a lover, he is offered a glimpse of a more profound rift, his separation from this integral totality. So this rift provides dynamic for desire that finds its sense of totality in a new image of the state. A general reading of Sade shows how this new totality is based on an inertia of desire.</dc:description>
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  Previous issue date: 1994</dc:description>
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Item is restricted indefinitely.</dc:description>
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Original Data
Group with Access UIUC Users [automated]
Release Date: none
Reason: ETDs are only available to UIUC Users without author permission</dc:description>
          <dc:description>ETDs are only available to UIUC Users without author permission</dc:description>
          <dc:description>U of I Only</dc:description>
          <dc:identifier>AAI9503216</dc:identifier>
          <dc:identifier>(UMI)AAI9503216</dc:identifier>
          <dc:identifier>http://hdl.handle.net/2142/18939</dc:identifier>
          <dc:language>eng</dc:language>
          <dc:rights>Copyright 1994 Hockman, Kenneth Charles</dc:rights>
          <dc:subject>Literature, Romance</dc:subject>
          <dc:subject>Mathematics</dc:subject>
          <dc:subject>Philosophy</dc:subject>
          <dc:title>The differential calculus as the model of desire in French fiction of the seventeenth and eighteenth centuries</dc:title>
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            <department>French</department>
            <discipline>French</discipline>
            <grantor>University of Illinois at Urbana-Champaign</grantor>
            <level>Dissertation</level>
            <name>Ph.D.</name>
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