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        <identifier>oai:www.ideals.illinois.edu:2142/20349</identifier>
        <datestamp>2023-07-10</datestamp>
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        <thesis xmlns="http://www.ndltd.org/standards/metadata/etdms/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.ndltd.org/standards/metadata/etdms/1.1/ http://www.ndltd.org/standards/metadata/etdms/1.1/etdms11.xsd http://purl.org/dc/elements/1.1/ http://www.ndltd.org/standards/metadata/etdms/1.1/etdmsdc.xsd">
          <dc:contributor>Temperley, Nicholas</dc:contributor>
          <dc:creator>Henderson, Mark A.</dc:creator>
          <dc:date>2011-05-07T12:36:41Z</dc:date>
          <dc:date>2011-05-07T12:36:41Z</dc:date>
          <dc:date>10000-01-01</dc:date>
          <dc:date>1989</dc:date>
          <dc:description>This work is a genre study of the German part-song between about 1790 and 1850. The primary goals of the study were (1) to identify and define a recognizable and common set of characteristics which constitute the typical German part-song of the period, also (2) to relate the social and political conditions which helped give it its shape, and finally (3) to select out a number of part-songs of interest to both historians and performers.</dc:description>
          <dc:description>"Three major areas are covered in the course of the work. The first looks at the social/political setting, including the drive toward German unification as it relates to the topic. The second investigates the part-songs of, primarily, Schubert, Schumann, and Mendelssohn, but also of other composers, and then treats the question of performance practice. The third consists of an Appendix containing a translation of Hans Georg Nageli's ""Eighty-One Part-Songs and Choruses..."", some bylaws of representative choruses of the period, and finally, a rather large number of part-songs, many of which are not otherwise available in print and which, together, give a broad overview of the early nineteenth-century part-song."</dc:description>
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  Previous issue date: 1989</dc:description>
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Item is restricted indefinitely.</dc:description>
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Original Data
Group with Access UIUC Users [automated]
Release Date: none
Reason: ETDs are only available to UIUC Users without author permission</dc:description>
          <dc:description>ETDs are only available to UIUC Users without author permission</dc:description>
          <dc:description>U of I Only</dc:description>
          <dc:identifier>AAI8916261</dc:identifier>
          <dc:identifier>(UMI)AAI8916261</dc:identifier>
          <dc:identifier>http://hdl.handle.net/2142/20349</dc:identifier>
          <dc:language>eng</dc:language>
          <dc:rights>Copyright 1989 Henderson, Mark A.</dc:rights>
          <dc:subject>Music</dc:subject>
          <dc:title>The German part-song in the first half of the nineteenth century</dc:title>
          <dc:type>text</dc:type>
          <degree>
            <department>Music</department>
            <discipline>Music</discipline>
            <grantor>University of Illinois at Urbana-Champaign</grantor>
            <level>Dissertation</level>
            <name>D.M.A.</name>
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