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        <identifier>oai:www.ideals.illinois.edu:2142/23428</identifier>
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        <thesis xmlns="http://www.ndltd.org/standards/metadata/etdms/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.ndltd.org/standards/metadata/etdms/1.1/ http://www.ndltd.org/standards/metadata/etdms/1.1/etdms11.xsd http://purl.org/dc/elements/1.1/ http://www.ndltd.org/standards/metadata/etdms/1.1/etdmsdc.xsd">
          <dc:contributor>Gray, Stanley E.</dc:contributor>
          <dc:creator>Robertson, Jean Ellen</dc:creator>
          <dc:date>2011-05-07T14:13:49Z</dc:date>
          <dc:date>2011-05-07T14:13:49Z</dc:date>
          <dc:date>10000-01-01</dc:date>
          <dc:date>1995</dc:date>
          <dc:description>Through an examination of works from Dada and Surrealism, of Malraux's La Condition humaine, of some examples of the New Novel, and of Tournier's Vendredi ou les limbes du Pacifique I observe the occurrence, over the course of the twentieth century, of a shift in attitude toward events which occur by chance (which I define as events which exceed human control). From a tentative and fearful attitude there is a demonstrable move toward a decidedly open and positive one. In addition to the literary texts examined, I demonstrate the importance of such events to the philosophies of Georges Bataille and Jean-Paul Sartre. This shift in attitude is emphasized through a contrastive study of Diderot's Jacques le fataliste et son mai tre, Zola's Therese Raquin and Huysmans' A Rebours. The study leads to discussion of the possible sources of this phenomenon as well as implications for the individual and for society.</dc:description>
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  Previous issue date: 1995</dc:description>
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Group with Access UIUC Users [automated]
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          <dc:identifier>AAI9543706</dc:identifier>
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          <dc:identifier>http://hdl.handle.net/2142/23428</dc:identifier>
          <dc:language>eng</dc:language>
          <dc:rights>Copyright 1995 Robertson, Jean Ellen</dc:rights>
          <dc:subject>Literature, Romance</dc:subject>
          <dc:subject>Philosophy</dc:subject>
          <dc:subject>History, Modern</dc:subject>
          <dc:title>A literary perspective on the notion of le hasard in twentieth century France</dc:title>
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            <department>Philosophy</department>
            <department>History, Modern</department>
            <discipline>Literature, Romance</discipline>
            <discipline>Philosophy</discipline>
            <discipline>History, Modern</discipline>
            <grantor>University of Illinois at Urbana-Champaign</grantor>
            <level>Dissertation</level>
            <name>Ph.D.</name>
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