2026-09-24T20:19:54Z https://www.ideals.illinois.edu/oai-pmh

oai:www.ideals.illinois.edu:2142/24240 2023-07-10 col_2142_5131 col_2142_17355 com_2142_5130 com_2142_14307 com_2142_5126

Greenhill, Jennifer A. Warner, Jennifer A. 2011-05-25T15:06:03Z 2011-05-25T15:06:03Z 2011-05-25T15:06:03Z 2011-05 Robert Wise’s The Body Snatcher (RKO, 1946) was filmed in a period of American history riddled with anxiety about the destruction and preservation of bodies. During this time of war, the film and its makers had to negotiate censorship regulations as well as popular attitudes concerning American medicine. The visual vocabulary of The Body Snatcher displays these intertwining concerns through props, setting, and the narrative itself. This is a study of how The Body Snatcher utilizes these methods to convey attitudes about war, medicine, and the body in 1940s America. Item withdrawn by Mark Zulauf (zulauf@illinois.edu) on 2011-04-27T17:39:15Z Item was in collections: University of Illinois Theses & Dissertations (ID: 1) No. of bitstreams: 1 Warner_Jennifer.pdf: 14862155 bytes, checksum: 1af13cfe29a31c2492824d04d2b2bac7 (MD5) Made available in DSpace on 2011-05-25T15:06:03Z (GMT). No. of bitstreams: 2 Warner_Jennifer.pdf: 14862155 bytes, checksum: 1af13cfe29a31c2492824d04d2b2bac7 (MD5) license.txt: 4064 bytes, checksum: b46a7aa6d4b048196ced0415079597e1 (MD5) http://hdl.handle.net/2142/24240 en Copyright 2011 Jennifer A. Warner Propaganda Censorship World War Two Disruptive propaganda: The availability, censorship, and distortion of visual information in Robert Wise's the body snatcher Art & Design 1526 Art History 0250 University of Illinois at Urbana-Champaign Thesis M.A. MA:Art History -UIUC 10KS0250MA