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        <datestamp>2023-07-11</datestamp>
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        <thesis xmlns="http://www.ndltd.org/standards/metadata/etdms/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.ndltd.org/standards/metadata/etdms/1.1/ http://www.ndltd.org/standards/metadata/etdms/1.1/etdms11.xsd http://purl.org/dc/elements/1.1/ http://www.ndltd.org/standards/metadata/etdms/1.1/etdmsdc.xsd">
          <dc:contributor>Hays, David L.</dc:contributor>
          <dc:creator>Hochhalter, Anna</dc:creator>
          <dc:date>2013-05-24T21:53:52Z</dc:date>
          <dc:date>2013-05-24T21:53:52Z</dc:date>
          <dc:date>2013-05</dc:date>
          <dc:date>2013-05-24T21:53:52Z</dc:date>
          <dc:date>2013-05</dc:date>
          <dc:description>Through discourse analysis and site evaluation, this thesis asks two questions: first, what is the potential of the contemporary urban waterfront to structure and perpetuate meaningful spectacle; and second, what is the potential for spectacle to restructure the post-industrial public waterfront thus affording these sites more transformative power within society? Discourse analysis of spectacle is used in order to establish a typology of spectacle as well as a new definition of the phenomenon.  Three case study cities—New Orleans, New York City, and Chicago—are evaluated in order to understand contemporary design strategies in post-industrial public waterfront projects.  Spectacle is newly defined by the author as, “a visible deviation from the norm intended to provoke a response.”  That understanding of spectacle is then explored as a design strategy on a riverfront site in downtown Detroit, Michigan, as part of the Detroit by Design 2012 Detroit Riverfront Competition.  The author proposes a concept called “CityWorks Plaza &amp; Port: a Publicly Owned Working Wharf and Repurposing Cooperative” as a model for Detroit.  CityWorks Plaza and Port capitalizes on two detrimental aquatic invasive species: the sea lamprey (Petromyzon marinus) and zebra mussel (Dreissena polymorpha) and asserts that making work visible, in public, is spectacular—as noted, “a visible deviation from the norm intended to provoke a response.”  In conclusion, this thesis discusses how instrumentalizing spectacle in design can lead to a post-post-industrial scenario—one which merges industrial space with public space, thus enabling a more diverse and generative economy while meeting public demands for waterfront access and recreational space.</dc:description>
          <dc:description>Item withdrawn by Mark Zulauf (zulauf@illinois.edu) on 2013-04-25T13:03:57Z
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          <dc:identifier>http://hdl.handle.net/2142/44194</dc:identifier>
          <dc:language>en</dc:language>
          <dc:rights>Copyright 2013 Anna L. Hochhalter</dc:rights>
          <dc:subject>post-industrial</dc:subject>
          <dc:subject>waterfront</dc:subject>
          <dc:subject>riverfront</dc:subject>
          <dc:subject>spectacle</dc:subject>
          <dc:subject>productive landscape</dc:subject>
          <dc:subject>service economy</dc:subject>
          <dc:subject>Parks</dc:subject>
          <dc:subject>Detroit</dc:subject>
          <dc:subject>Chicago</dc:subject>
          <dc:subject>New York City</dc:subject>
          <dc:subject>New Orleans</dc:subject>
          <dc:title>Waterfront spectacular</dc:title>
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          <degree>
            <department>Landscape Architecture</department>
            <departmentCode>1569</departmentCode>
            <discipline>Landscape Architecture</discipline>
            <disciplineCode>0156</disciplineCode>
            <grantor>University of Illinois at Urbana-Champaign</grantor>
            <level>Thesis</level>
            <name>M.L.A.</name>
            <program>MLA:Lndscpe Architecture -UIUC</program>
            <programCode>10KS0156MLA</programCode>
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