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        <identifier>oai:www.ideals.illinois.edu:2142/70852</identifier>
        <datestamp>2023-07-11</datestamp>
        <setSpec>col_2142_5131</setSpec>
        <setSpec>col_2142_14832</setSpec>
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        <thesis xmlns="http://www.ndltd.org/standards/metadata/etdms/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.ndltd.org/standards/metadata/etdms/1.1/ http://www.ndltd.org/standards/metadata/etdms/1.1/etdms11.xsd http://purl.org/dc/elements/1.1/ http://www.ndltd.org/standards/metadata/etdms/1.1/etdmsdc.xsd">
          <dc:creator>Edwards, Lawrence Allen</dc:creator>
          <dc:date>2014-12-16T04:13:05Z</dc:date>
          <dc:date>2014-12-16T04:13:05Z</dc:date>
          <dc:date>10000-01-01</dc:date>
          <dc:date>1986</dc:date>
          <dc:date>1986</dc:date>
          <dc:description>The choral compositions of Richard Strauss remain virtually unknown and unperformed, mostly because of their extreme diffi- culty, and the controversy surrounding their musical merit. One of the motivations of the study was to determine whether a represent- ative work by Strauss lies within the capability of a university-level choral group. This study contributes to comprehensive knowledge concerning one of those compositions and the problems involved in its performance.</dc:description>
          <dc:description>The present study involved an exhaustive analysis of the un- accompanied choral work Die Gottin im Putzzimmer, by Richard Strauss who used as text a poem of the German poet Friedrich Ruckert. The procedure involved the following steps:  (1) investi- gation of the lives of Ruckert and Strauss and their relationship to the artistic climate of their respective periods; (2) rehearsal and six performances of the work; (3) identification of rehearsal and performance problems; (4) determination of the opinions of the singers regarding the work, its difficulty and its worth.</dc:description>
          <dc:description>The conclusions of the investigator were:  (1) The extreme difficulty of the work makes it inaccessible to the typical non-professional choir; (2) The rehearsal procedures, which relied heavily on sectional rehearsals and section leaders, was effective; (3) The musical worth of the work is beyond question; (4) The reaction of the singers was highly positive.</dc:description>
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8703301.pdf: 7575724 bytes, checksum: 429c932004c3577be1b80668f363873f (MD5)
  Previous issue date: 1986</dc:description>
          <dc:description>Embargo set by: Seth Robbins for item 71018
Lift date: Forever
Reason: Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs</dc:description>
          <dc:description>Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs</dc:description>
          <dc:description>U of I Only</dc:description>
          <dc:description>207 p.</dc:description>
          <dc:description>Thesis (Educat.D.)--University of Illinois at Urbana-Champaign, 1986.</dc:description>
          <dc:identifier>http://hdl.handle.net/2142/70852</dc:identifier>
          <dc:identifier>(UMI)AAI8703301</dc:identifier>
          <dc:subject>Music</dc:subject>
          <dc:title>"""Die Gottin Im Putzzimmer"" by Richard Strauss: A Performance Analysis"</dc:title>
          <dc:type>text</dc:type>
          <degree>
            <department>Music</department>
            <discipline>Music Education</discipline>
            <grantor>University of Illinois at Urbana-Champaign</grantor>
            <level>Dissertation</level>
            <name>Educat.D.</name>
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