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Nettl, Bruno Araujo, Samuel Mello, Jr. 2014-12-17T22:29:06Z 2014-12-17T22:29:06Z 10000-01-01 1992 1992 "This thesis attempts to propose guideposts for a critical history of samba in the context of Rio de Janeiro, as a relational universe centered on the production of songs, the playing of instruments and dancing. Highlighting the escolas de samba (lit., samba schools) as mediatory instances of the often conflicting investments that define the so-called samba world, the author traverses the latter through a dialogue with its producers and reference to recorded illustrations of song-making and other aspects of samba practice brought up in the text. In conclusion, he argues for the reconceptualization of his object of study in terms of (acoustic) human labor, stressing its potentials for transcending crucial theoretical dilemmas pervading the study of practices otherwise deemed as ""musics.""" Made available in DSpace on 2014-12-17T22:29:06Z (GMT). No. of bitstreams: 1 9305454.pdf: 14822014 bytes, checksum: 6506d1e23a651f8c8b6022f022608bfb (MD5) Previous issue date: 1992 Embargo set by: Seth Robbins for item 72602 Lift date: Forever Reason: Restricted to the U of I community indenfinitely during batch ingest of legacy ETDs Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs U of I Only 337 p. Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 1992. http://hdl.handle.net/2142/72434 (UMI)AAI9305454 Anthropology, Cultural History, Latin American Dance Music Acoustic Labor in the Timing of Everyday Life: A Critical Contribution to the History of Samba in Rio De Janeiro text Music Musicology University of Illinois at Urbana-Champaign Dissertation Ph.D.