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        <identifier>oai:www.ideals.illinois.edu:2142/72796</identifier>
        <datestamp>2023-07-11</datestamp>
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        <thesis xmlns="http://www.ndltd.org/standards/metadata/etdms/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.ndltd.org/standards/metadata/etdms/1.1/ http://www.ndltd.org/standards/metadata/etdms/1.1/etdms11.xsd http://purl.org/dc/elements/1.1/ http://www.ndltd.org/standards/metadata/etdms/1.1/etdmsdc.xsd">
          <dc:contributor>Stole, Inger L.</dc:contributor>
          <dc:creator>Cooper, Troy</dc:creator>
          <dc:date>2015-01-21T19:48:17Z</dc:date>
          <dc:date>2015-01-21T19:48:17Z</dc:date>
          <dc:date>2014-12</dc:date>
          <dc:date>2015-01-21</dc:date>
          <dc:contributor>Finnegan, Cara A.</dc:contributor>
          <dc:contributor>Finnegan, Cara A.</dc:contributor>
          <dc:contributor>Ono, Kent A.</dc:contributor>
          <dc:contributor>Murphy, John M.</dc:contributor>
          <dc:date>2014-12</dc:date>
          <dc:description>This study analyzes two years of images from Ballyhoo magazine (1931-1932) as a form 
of visual rhetoric. I analyze the visual rhetoric of Ballyhoo to illustrate how it treated three 
important issues of 1930s America. First, Ballyhoo portrays Prohibition as a detrimental policy 
and scapegoats its creators and maintainers. Second, Ballyhoo comments on the Great 
Depression by both ridiculing the wealthy and powerful and identifying the ironies of living poor 
amid the Depression. Finally, in its critiques of consumer culture, and especially advertising, 
Ballyhoo employs parody to rhetorical effect by mocking the entire advertising enterprise. This 
study contextualizes, analyzes, and interprets Ballyhoo’s production of perspective by 
incongruity on the most pressing issues of the early 1930s. Ultimately, Ballyhoo succeeded in 
constructing a critical rhetoric of incongruity that was both timely in the 1930s and foundational 
to contemporary critiques that employ perspective by incongruity.</dc:description>
          <dc:description>Item withdrawn by Laura Spradlin (lspradl2@illinois.edu) on 2014-12-05T13:59:00Z
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University of Illinois Theses &amp; Dissertations (ID: 1)
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          <dc:identifier>http://hdl.handle.net/2142/72796</dc:identifier>
          <dc:language>en</dc:language>
          <dc:rights>Copyright 2014 Troy Cooper</dc:rights>
          <dc:subject>Perspective by incongruity</dc:subject>
          <dc:subject>Ballyhoo</dc:subject>
          <dc:subject>Parody</dc:subject>
          <dc:subject>Visual rhetoric</dc:subject>
          <dc:title>"""You can fool some of the people some of the time"": perspective by incongruity in Ballyhoo magazine, 1931-1932"</dc:title>
          <dc:type>text</dc:type>
          <degree>
            <department>Communication</department>
            <departmentCode>1489</departmentCode>
            <discipline>Speech Communication</discipline>
            <disciplineCode>0313</disciplineCode>
            <grantor>University of Illinois at Urbana-Champaign</grantor>
            <level>Dissertation</level>
            <name>Ph.D.</name>
            <program>PHD:Speech Communication -UIUC</program>
            <programCode>10KS0313PHD</programCode>
          </degree>
        </thesis>
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