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Ania Loomba Poitevin, Kimberly Woosley 2015-09-25T20:15:11Z 2015-09-25T20:15:11Z 10000-01-01 2004 2004 Chapter one explores the pervasive fascination and concern with cosmetics in a variety of documents, including travel writings, conduct books, theatrical records, anti-theatrical texts, sermons, cook books, medical texts, and anti-cosmetic pamphlet literature. Chapter two explores how Queen Elizabeth's use of cosmetics worked to consolidate a white English identity and inspire new forms of misogyny after her death, like those encoded in Middleton's The Revenger's Tragedy (1606). Chapter three explores the theme of racial impersonation in The Masque of Blackness, while Chapter four focuses most intensely on the forms of agency cosmetics enabled in women of different races, religions, and nationalities. Made available in DSpace on 2015-09-25T20:15:11Z (GMT). No. of bitstreams: 2 license.txt: 4848 bytes, checksum: 96035ab3f5e1c23cc7138a224ce498bd (MD5) 3153402.pdf: 12808683 bytes, checksum: 1e97c13030aecabfd6377581bcfa6144 (MD5) Previous issue date: 2004 Embargo set by: Seth Robbins for item 82689 Lift date: Forever Reason: Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs U of I Only 176 p. Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2004. http://hdl.handle.net/2142/81408 (MiAaPQ)AAI3153402 eng Theater Making Up Race in Early Modern England text English English University of Illinois at Urbana-Champaign Dissertation Ph.D.