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          <dc:contributor>Parker, Robert Dale</dc:contributor>
          <dc:creator>Watkins, Rychetta N.</dc:creator>
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          <dc:date>2005</dc:date>
          <dc:date>2005</dc:date>
          <dc:description>"For example, the first chapter, ""Who('s)(e) Fanon: Black and Yellow Power and American Appropriations of Colonialism,"" decodes academic and political appropriations of Fanon and repositions him as a node for Black and Asian American ideological cooperation. These appropriations of colonialism through Fanon led to the development of what I call the ""guerilla aesthetic."" This guerilla posture or relationship to American colonialism, proved useful as a location for launching political and social critiques of American culture. While this position was first thought of as a political one, the figure of the armed, guerilla fighter soon came to denote a generalized antagonistic relationship towards American society signified by changes in dress, hair, and other cultural practices. This slippage, I argue, is a result of conflations of revolutionary and cultural nationalism which eventually stripped the figure of its ideological and political specificity, leaving this counter-hegemonic identity open to cooptation."</dc:description>
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Lift date: Forever
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          <dc:description>205 p.</dc:description>
          <dc:description>Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2005.</dc:description>
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          <dc:language>eng</dc:language>
          <dc:subject>Sociology, Ethnic and Racial Studies</dc:subject>
          <dc:title>Black and Yellow Power: The Intersections of Identity Politics and Literary Study</dc:title>
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