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Guibbory, Achsah Dahlquist, Mark 2015-09-25T20:15:23Z 2015-09-25T20:15:23Z 10000-01-01 2008 2008 The iconophobic use of material destruction to affirm God's existence and the immortality of cherished loved ones made the metaphor of iconoclasm a powerful engine for transforming human affection into acts of organized violence. This fundamentalist rhetoric, and the language of toleration that developed in response to it, are the subjects of this dissertation, which considers England's iconophobic renaissance in the context of its origins in mid sixteenth-century religious skepticism, and with attention to its role in shaping attitudes towards toleration and revolution in seventeenth-century Britain. Made available in DSpace on 2015-09-25T20:15:23Z (GMT). No. of bitstreams: 2 license.txt: 4848 bytes, checksum: 96035ab3f5e1c23cc7138a224ce498bd (MD5) 3314755.pdf: 6944867 bytes, checksum: d8e9f84a18b52845788eca0c1ee75431 (MD5) Previous issue date: 2008 Embargo set by: Seth Robbins for item 82718 Lift date: Forever Reason: Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs U of I Only 450 p. Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2008. http://hdl.handle.net/2142/81437 (MiAaPQ)AAI3314755 eng Literature, English Faire Semblants and Scandalous Worship: Iconophobia and the English Renaissance text English English University of Illinois at Urbana-Champaign Dissertation Ph.D.