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Hawhee, Debra Olson, Christa J. 2015-09-25T20:15:29Z 2015-09-25T20:15:29Z 10000-01-01 2010 2010 "Chapter four, ""Performing Indigeneity,"" considers how indigeneity itself serves as a powerful topos in the constitution of Ecuadorian national publics. The chapter pays particular attention to an increasing emphasis on indigeneity as a corporeal matter over the course of the twentieth century. The chapter uses petitions, ""customs and habits"" paintings, newspaper articles, and photographs to argue that indigeneity has served as an embodiable topos for establishing legitimacy and authenticity in political contexts. It traces how non-indigenous actors have taken on a performed indigenous subjectivity in their efforts to establish a claim to social place even while marginalizing actual indigenous participation. (Abstract shortened by UMI.)." Made available in DSpace on 2015-09-25T20:15:29Z (GMT). No. of bitstreams: 2 license.txt: 4848 bytes, checksum: 96035ab3f5e1c23cc7138a224ce498bd (MD5) 3411451.pdf: 18660620 bytes, checksum: 2f14ff0eac3a97f4d104126ce60c069d (MD5) Previous issue date: 2010 Embargo set by: Seth Robbins for item 82743 Lift date: Forever Reason: Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs U of I Only 248 p. Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2010. http://hdl.handle.net/2142/81462 (MiAaPQ)AAI3411451 eng Language, Rhetoric and Composition Constitutive Visions: Indigeneity, Visual Culture, and the Rhetorics of Ecuadorian National Identity text English English University of Illinois at Urbana-Champaign Dissertation Ph.D.