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James Hurt Wolf, Stephen Michael 2015-09-25T20:15:44Z 2015-09-25T20:15:44Z 10000-01-01 1998 1998 Frank O'Hara defined himself, both as a man and a poet, as Eliot's antithesis. Eventually, O'Hara would create a modern urban poetry that repudiated Eliot's poetry and the attitudes it conveyed, a repudiation that culminates in O'Hara's Second Avenue, a modern urban epic that both emulates and is antithetical to Eliot's The Waste Land. Having broken free of Eliot's influence and establishing his own poetic manifesto, O'Hara could embrace his generation's dominant art form: painting rather than literature and Abstract Expressionist painting in particular. This new freedom allowed O'Hara to experiment in words with painterly techniques and eventually satisfy one of his great desires---to take part in a true collaboration with a painter, a desire achieved with Larry Rivers and their twelve lithographs entitled Stone. Made available in DSpace on 2015-09-25T20:15:44Z (GMT). No. of bitstreams: 2 license.txt: 4848 bytes, checksum: 96035ab3f5e1c23cc7138a224ce498bd (MD5) 9912429.pdf: 5628420 bytes, checksum: 4df92130909b55dc76cd838ad2a10a33 (MD5) Previous issue date: 1998 Embargo set by: Seth Robbins for item 82779 Lift date: Forever Reason: Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs U of I Only 121 p. Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 1998. http://hdl.handle.net/2142/81498 (MiAaPQ)AAI9912429 eng Literature, American Poetry, Place, and Painting in the Works of Frank O'Hara text English English University of Illinois at Urbana-Champaign Dissertation Ph.D.