2026-09-24T14:59:09Z https://www.ideals.illinois.edu/oai-pmh

oai:www.ideals.illinois.edu:2142/84718 2023-07-11 col_2142_5131 col_2142_14792 com_2142_5130 com_2142_814 com_2142_8903

Dissertation Abstracts International, Volume Atkins, Everett Taylor 2015-09-25T22:24:12Z 2015-09-25T22:24:12Z 10000-01-01 1997 1997 "The third theme problematizes the concept of marginality by demonstrating how the jazz subculture shares the concerns, values, and tensions that characterize the mainstream. The search for cultural authenticity and a national voice in the arts has been a major endeavor of twentieth-century Japanese, not limited to the jazz culture. In the adoption and adaptation of a ""foreign"" art, in the cultural tensions provoked by that art, in the anxieties over ""authenticity"" and cultural identity, and in the authenticating strategies developed to assuage those tensions and anxieties, we can see not only the history of jazz but the history of modern Japan." Made available in DSpace on 2015-09-25T22:24:12Z (GMT). No. of bitstreams: 2 license.txt: 4848 bytes, checksum: 96035ab3f5e1c23cc7138a224ce498bd (MD5) 9717250.pdf: 19116892 bytes, checksum: 1fa8dc0b49e2323b0363cf099d2fab50 (MD5) Previous issue date: 1997 Embargo set by: Seth Robbins for item 85999 Lift date: Forever Reason: Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs U of I Only 268 p. Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 1997. http://hdl.handle.net/2142/84718 (MiAaPQ)AAI9717250 eng Anthropology, Cultural This Is Our Music: Authenticating Japanese Jazz, 1920-1980 text History History University of Illinois at Urbana-Champaign Dissertation Ph.D.