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Pauketat, Timothy R. McCleary, Timothy Paul 2015-09-25T22:40:53Z 2015-09-25T22:40:53Z 10000-01-01 2008 2008 The seemingly divergent interpretations are reconciled by the cultural perceptions of the medium employed-the immovable rock cliff. Crow interpretations of rock art, therefore, rest as much on the rock face and its place in the landscape as on the comprehension of culturally defined symbols. Made available in DSpace on 2015-09-25T22:40:53Z (GMT). No. of bitstreams: 2 license.txt: 4848 bytes, checksum: 96035ab3f5e1c23cc7138a224ce498bd (MD5) 3314852.pdf: 3153930 bytes, checksum: 134de479ad55714e86f02cdd4266a057 (MD5) Previous issue date: 2008 Embargo set by: Seth Robbins for item 86565 Lift date: Forever Reason: Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs U of I Only 277 p. Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2008. http://hdl.handle.net/2142/85284 (MiAaPQ)AAI3314852 eng Native American Studies Ghosts on the Land: Apsaalooke (Crow Indian) Interpretations of Rock Art text Anthropology Anthropology University of Illinois at Urbana-Champaign Dissertation Ph.D.