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oai:www.ideals.illinois.edu:2142/85698 2023-07-11 col_2142_5131 col_2142_14832 com_2142_5130 com_2142_14831 com_2142_5126

Hill, John W. Blackmore, Lisa Ann 2015-09-25T22:53:01Z 2015-09-25T22:53:01Z 10000-01-01 2002 2002 Vejvanovsky's musical style, like the other composers in the Hapsburg territories, is grounded in the principles of rhetoric and based on Italian models. Yet, he is able to inject a refreshing and individual approach to his compositions, particularly in his use of color and harmonic style. His expressive use of dissonance is manifested in his trumpet parts by consistent use of impure partials and intentional melodic and harmonic clashes. Vejvanovsky tends to stress the trumpet's lyrical and vocal qualities in both his sacred and secular music rather than its obvious military connotations. Made available in DSpace on 2015-09-25T22:53:01Z (GMT). No. of bitstreams: 2 license.txt: 4848 bytes, checksum: 96035ab3f5e1c23cc7138a224ce498bd (MD5) 3044054.pdf: 45689616 bytes, checksum: 944d5198769fca55af9e1a11ea6e1da8 (MD5) Previous issue date: 2002 Embargo set by: Seth Robbins for item 86979 Lift date: Forever Reason: Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs U of I Only 1073 p. Thesis (D.M.A.)--University of Illinois at Urbana-Champaign, 2002. http://hdl.handle.net/2142/85698 (MiAaPQ)AAI3044054 eng Music Sacred Vocal Compositions Including Trumpet Parts by Pavel Josef Vejvanovsky (c.1639--1693) text Music Music University of Illinois at Urbana-Champaign Dissertation D.M.A.