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oai:www.ideals.illinois.edu:2142/85704 2023-07-11 col_2142_5131 col_2142_14832 com_2142_5130 com_2142_14831 com_2142_5126

Zack Browning Walters, Andrew Beckon 2015-09-25T22:53:03Z 2015-09-25T22:53:03Z 10000-01-01 2002 2002 This a study of the musical texture of two works, Contra Tempus and De Staat, by composer Louis Andriessen. After an introduction and brief biography of the composer, definitions and methods of analysis in regard to the study of musical texture are established. Following this is a look at the musical texture of Andriessen's Contra Tempus and De Staat. Special attention is given to clarity and ambiguity in Andriessen's textures and how he handles qualitative and quantitative stasis and progression of textural components. Besides an overview of the texture, there is also a detailed look at the final sections of each piece. Finally, there is a comparison of the two pieces, an overview of their salient features, and an examination of their place in his musical career. Made available in DSpace on 2015-09-25T22:53:03Z (GMT). No. of bitstreams: 2 license.txt: 4848 bytes, checksum: 96035ab3f5e1c23cc7138a224ce498bd (MD5) 3044252.pdf: 9462958 bytes, checksum: 2f737f8b4e4ca73ac0c557f016e36067 (MD5) Previous issue date: 2002 Embargo set by: Seth Robbins for item 86985 Lift date: Forever Reason: Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs U of I Only 210 p. Thesis (A.Mus.D.)--University of Illinois at Urbana-Champaign, 2002. http://hdl.handle.net/2142/85704 (MiAaPQ)AAI3044252 eng Music "Texture in Louis Andriessen's ""Contra Tempus"" and ""De Staat""" text Music Music University of Illinois at Urbana-Champaign Dissertation A.Mus.D.