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Gushee, Lawrence Bryant, Rebecca Ann 2015-09-25T22:53:06Z 2015-09-25T22:53:06Z 10000-01-01 2003 2003 Part II discusses the dances themselves, focusing on the contrasting pair of the fox trot and shimmy, two dances that have previously received little scholarly attention. Chapter 4 discusses the development and dominance of the fox trot as the most popular dance of the era. Chapter 5 documents the development and dissemination of the shimmy, a shoulder- and hip-shaking dance. These dances reflected the multiple and contradictory practices regarding sexuality and gender, simultaneously expressing and structuring both conservative and modern ideals. While the provocative movements of the shimmy embodied the growing importance of sexual expression, the formation of distinct and separate responsibilities for the sexes in dances like the fox trot simultaneously reinscribed asymmetrical gender relations. Made available in DSpace on 2015-09-25T22:53:06Z (GMT). No. of bitstreams: 2 license.txt: 4848 bytes, checksum: 96035ab3f5e1c23cc7138a224ce498bd (MD5) 3086023.pdf: 18062246 bytes, checksum: 1a652299c847fab52ef7a7d966c74e92 (MD5) Previous issue date: 2003 Embargo set by: Seth Robbins for item 86992 Lift date: Forever Reason: Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs U of I Only 334 p. Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2003. http://hdl.handle.net/2142/85711 (MiAaPQ)AAI3086023 eng History, United States Shaking Big Shoulders: Music and Dance Culture in Chicago, 1910--1925 text Music Music University of Illinois at Urbana-Champaign Dissertation Ph.D.