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oai:www.ideals.illinois.edu:2142/85764 2023-07-11 col_2142_5131 col_2142_14832 com_2142_5130 com_2142_14831 com_2142_5126

135 p. Guy Garnett Choi, Kyong Mee 2015-09-25T22:53:25Z 2015-09-25T22:53:25Z 10000-01-01 2005 2005 This intuitive mapping scheme is then applied to actual works in order to convert spatial information from painting to music and vice versa. In addition to this application, different temporalities of both media are discussed briefly to see how a specific mapping scheme can be applied to the particular medium. This study does not intend to copy an entire piece of music into a painting, or a whole painting into music, instead it aims to supply a cohesive explanation of how the two systems create the illusion of depth. Made available in DSpace on 2015-09-25T22:53:25Z (GMT). No. of bitstreams: 2 license.txt: 4848 bytes, checksum: 96035ab3f5e1c23cc7138a224ce498bd (MD5) 3202074.pdf: 2608998 bytes, checksum: 15002805e92057dfc6a5f1fab50b5581 (MD5) Previous issue date: 2005 Embargo set by: Seth Robbins for item 87045 Lift date: Forever Reason: Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs U of I Only Thesis (A.Mus.D.)--University of Illinois at Urbana-Champaign, 2005. http://hdl.handle.net/2142/85764 (MiAaPQ)AAI3202074 eng Art History Spatial Relationships in Electro-Acoustic Music and Painting text Music Music University of Illinois at Urbana-Champaign Dissertation A.Mus.D.