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        <datestamp>2023-07-11</datestamp>
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          <dc:contributor>Alwes, Chester L.</dc:contributor>
          <dc:creator>Patterson, Gary Walter</dc:creator>
          <dc:date>2015-09-25T22:54:01Z</dc:date>
          <dc:date>2015-09-25T22:54:01Z</dc:date>
          <dc:date>10000-01-01</dc:date>
          <dc:date>2007</dc:date>
          <dc:date>2007</dc:date>
          <dc:description>Discussions of Bragg's vocalises and their applications, modeled after the work of Coleman Cooper (USA), Ferdinand Grossman (Vienna), and Romano Picutti (Vienna and Mexico), and aural skills exercises, modeled after Zoltan Kodaly's work in Hungary, are included. The Appendices include a chronology of major events in the life of George Bragg, a discography, and a listing of commissioned works.</dc:description>
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  Previous issue date: 2007</dc:description>
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Lift date: Forever
Reason: Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs</dc:description>
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          <dc:identifier>(MiAaPQ)AAI3301210</dc:identifier>
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          <dc:subject>Education, Music</dc:subject>
          <dc:title>George W. Bragg, Jr. And His Techniques for Training the Preadolescent Boy's Voice as Demonstrated Through the Texas Boys Choir: 1946--1975</dc:title>
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            <grantor>University of Illinois at Urbana-Champaign</grantor>
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