2026-09-19T12:21:58Z https://www.ideals.illinois.edu/oai-pmh

oai:www.ideals.illinois.edu:2142/85829 2023-07-11 col_2142_5131 col_2142_14832 com_2142_5130 com_2142_14831 com_2142_5126

Donna Buchanan Matova, Nelly 2015-09-25T22:54:22Z 2015-09-25T22:54:22Z 10000-01-01 2010 2010 The dissertation examines the significant features of Eben's music. His melodic style incorporates influences as diverse as Gregorian chant and folk tunes on the one hand, and modern vocal techniques such as Sprechgesang and vocal aleatoricism on the other. His harmonic language includes bitonality and polytonality, used to augment the tonal legacy of earlier times, together with elements of pitch collections and limited serial procedures as well as various secundal and quartal harmonic sonorities derived from them. His music features the vibrant rhythms of folk music, and incorporates other folk devices like ostinato, repetitive patterns, and improvisation. Made available in DSpace on 2015-09-25T22:54:22Z (GMT). No. of bitstreams: 2 license.txt: 4848 bytes, checksum: 96035ab3f5e1c23cc7138a224ce498bd (MD5) 3452095.pdf: 15167061 bytes, checksum: 8a50ee4565e420335810deef10a9991b (MD5) Previous issue date: 2010 Embargo set by: Seth Robbins for item 87110 Lift date: Forever Reason: Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs U of I Only 363 p. Thesis (D.M.A.)--University of Illinois at Urbana-Champaign, 2010. http://hdl.handle.net/2142/85829 (MiAaPQ)AAI3452095 eng Music "Petr Eben's Oratorio ""Apologia Sokratus"" (1967) and Ballet ""Curses and Blessings"" (1983): An Interpretative Analysis of the Symbolism Behind the Text Settings and Musical Style" text Music Music University of Illinois at Urbana-Champaign Dissertation D.M.A.