2026-09-22T04:13:40Z https://www.ideals.illinois.edu/oai-pmh

oai:www.ideals.illinois.edu:2142/85884 2023-07-11 col_2142_5131 col_2142_14832 com_2142_5130 com_2142_14831 com_2142_5126

Kellman, Herbert Canton, Lisette Michelle 2015-09-25T22:54:41Z 2015-09-25T22:54:41Z 10000-01-01 2000 2000 "Certon was acquainted with many musicians of his day including Claudin de Sermisy (who was ""sous-maitre"" of the Sainte-Chapelle), Guillaume Morlaye, Thomas Champion and Pierre Attaingnant, as well as Sandrin and Janequin. He was especially close to Sermisy---he composed a ""deploration"" on Sermisy's death in 1562, similar to Josquin's ""deploration"" for Ockeghem in 1497. Certon's musical contacts are all the more interesting because he spent his whole life in Paris, the central musical location in France. He was therefore in close proximity to the royal court where the best musicians would have been employed. Certon's associations with these musicians and the musical life of Paris almost certainly influenced the interest and significance of his musical output." Made available in DSpace on 2015-09-25T22:54:41Z (GMT). No. of bitstreams: 2 license.txt: 4848 bytes, checksum: 96035ab3f5e1c23cc7138a224ce498bd (MD5) 9989951.pdf: 13359427 bytes, checksum: 1bab6f62e8274e58d6c0777f4d98487e (MD5) Previous issue date: 2000 Embargo set by: Seth Robbins for item 87165 Lift date: Forever Reason: Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs U of I Only 331 p. Thesis (D.M.A.)--University of Illinois at Urbana-Champaign, 2000. http://hdl.handle.net/2142/85884 (MiAaPQ)AAI9989951 eng Music The Motets of Pierre Certon text Music Music University of Illinois at Urbana-Champaign Dissertation D.M.A.