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Goldman, Dara Wilson, Timothy 2015-09-28T14:55:00Z 2015-09-28T14:55:00Z 10000-01-01 2006 2006 "I further posit that the rock nacional phenomenon had a collaborative authorship, articulated through the (often unintended and unwilling) interaction of many individuals and institutions, including state, artists and public. Both the military men so demonized by many Argentines as well as the rock musicians they so idolized, were in reality all actors in the same social drama. Rock nacional was a product of the interactive ""contributions"" of all the actors." Made available in DSpace on 2015-09-28T14:55:00Z (GMT). No. of bitstreams: 2 license.txt: 4848 bytes, checksum: 96035ab3f5e1c23cc7138a224ce498bd (MD5) 3223751.pdf: 4137111 bytes, checksum: 75bc4d931efc7da34732770001f1ae23 (MD5) Previous issue date: 2006 Embargo set by: Seth Robbins for item 87421 Lift date: Forever Reason: Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs U of I Only 197 p. Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2006. http://hdl.handle.net/2142/86140 (MiAaPQ)AAI3223751 eng History, Latin American Rocking the Regime: The Role of Argentine Rock Music in a Changing Socio-Political Context (1970--1985) text Spanish Spanish University of Illinois at Urbana-Champaign Dissertation Ph.D.