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David Desser Giukin, Lenuta 2015-09-28T15:02:12Z 2015-09-28T15:02:12Z 10000-01-01 2002 2002 "Chapter five, ""Andre Delvaux or What Surrealism Could Have Been,"" looks at Delvaux's exploration of the dialectic real---imaginary and the Proustian dimension of his films. Chapter VI, ""Surrealism in Contemporary French Cinema,"" explores the dispersion of Surrealism in contemporary French cinema, while the conclusions point to other possibilities of research in various world cinemas. Covering a period of eight decades, this research puts into perspective the remarkable developments and metamorphosis of contemporary Surrealism." Made available in DSpace on 2015-09-28T15:02:12Z (GMT). No. of bitstreams: 2 license.txt: 4848 bytes, checksum: 96035ab3f5e1c23cc7138a224ce498bd (MD5) 3044095.pdf: 11566502 bytes, checksum: dfbe070d3b0740749cdf52e941871b5f (MD5) Previous issue date: 2002 Embargo set by: Seth Robbins for item 87541 Lift date: Forever Reason: Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs U of I Only 219 p. Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2002. http://hdl.handle.net/2142/86260 (MiAaPQ)AAI3044095 eng Literature, Romance From Surrealist Film to Surrealism in Film (Surrealism in the 20th Century Commercial Cinema) text French French University of Illinois at Urbana-Champaign Dissertation Ph.D.