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          <dc:contributor>Mortimer, Amine Kotin</dc:contributor>
          <dc:creator>Ilinca, Ingrid L.</dc:creator>
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          <dc:date>2009</dc:date>
          <dc:date>2009</dc:date>
          <dc:description>The French nobility is considered as a class defeated by the bourgeoisie and irrelevant within the capitalist economy. This widespread view fails to explain the vivid presence of the nobles in the 19th century cultural production. A phenomenological analysis of five novels (L'emigre,  by Senac de Meilhan, Delphine, by Germaine de Stael, L'interdiction, Une double famille, and  Beatrix, by Honore de Balzac) allows me to define a flexible model on which I base a study of nobility representations between 1789 and 1848. This model is organized around the following aspects: heredity and the idea of biological superiority, family and matrimonial practices, individual vs. lineage, education and savoir-faire, forms of sociability, (non)conformity to the norms, interpretation of signs and appearances, political engagements, equality vs. inequality, interaction with other social groups.</dc:description>
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Lift date: Forever
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          <dc:subject>Literature, Modern</dc:subject>
          <dc:title>Representations De La Noblesse Dans Le Roman Francais (1789--1848)</dc:title>
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