2026-09-22T21:21:47Z https://www.ideals.illinois.edu/oai-pmh

oai:www.ideals.illinois.edu:2142/86297 2023-07-11 col_2142_5131 col_2142_14853 com_2142_5130 com_2142_14852 com_2142_8903

Mortimer, Armine Kotin Madden, James Connor 2015-09-28T15:02:42Z 2015-09-28T15:02:42Z 10000-01-01 1999 1999 The faults between the layers of diegesis enable the informed reader to enter the Balzacian world, and to appreciate the instability of this supposedly monolithic text. This is Balzac's ultimate triumph: His artistic reproduction of early nineteenth-century France is not a still-life; rather it is, as Michel Butor observed, a mobile romanesque. It is as active, engaged readers that we set this work of art in motion. Made available in DSpace on 2015-09-28T15:02:42Z (GMT). No. of bitstreams: 2 license.txt: 4848 bytes, checksum: 96035ab3f5e1c23cc7138a224ce498bd (MD5) 9953087.pdf: 12781198 bytes, checksum: f699a140601f7a4b06edb1baacc1080f (MD5) Previous issue date: 1999 Embargo set by: Seth Robbins for item 87578 Lift date: Forever Reason: Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs U of I Only 276 p. Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 1999. http://hdl.handle.net/2142/86297 (MiAaPQ)AAI9953087 eng Literature, Romance "Telling Balzac's Stories: Narration, Narrators, and Narratees in ""La Comedie Humaine""" text French French University of Illinois at Urbana-Champaign Dissertation Ph.D.