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oai:www.ideals.illinois.edu:2142/86338 2023-07-11 col_2142_5131 col_2142_16240 com_2142_5130 com_2142_16239 com_2142_8903

McGlathery, James M. Markx, Francien 2015-09-28T15:03:45Z 2015-09-28T15:03:45Z 10000-01-01 2003 2003 Hoffmann's insistence on these aspects in all of his narrative contributions to the AMZ reveals an agenda significantly different from what is usually attributed to this well-known advocate of instrumental music. It exemplifies Hoffmann's search for an adequate expression of his insights on opera, and his efforts to contribute to an understanding of the peculiarities of this genre and the new developments of opera music, thus creating a highly original form of innovative music criticism. Made available in DSpace on 2015-09-28T15:03:45Z (GMT). No. of bitstreams: 2 license.txt: 4848 bytes, checksum: 96035ab3f5e1c23cc7138a224ce498bd (MD5) 3101916.pdf: 20330934 bytes, checksum: 5f8344f2343255b4fc62076c5c930567 (MD5) Previous issue date: 2003 Embargo set by: Seth Robbins for item 87619 Lift date: Forever Reason: Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs U of I Only 389 p. Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2003. http://hdl.handle.net/2142/86338 (MiAaPQ)AAI3101916 ger Music "The Critic as Magician: The Music Tales of E. T. A. Hoffmann in the Context of the ""Allgemeine Musikalische Zeitung""" text Germanic Languages and Literatures Germanic Languages and Literatures University of Illinois at Urbana-Champaign Dissertation Ph.D.