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Graves, Robert B. Tian, Min 2015-09-28T15:11:52Z 2015-09-28T15:11:52Z 10000-01-01 2001 2001 "The first chapter of Part Two deals with the Chinese intercultural displacement of Western realism and avant-garde in the first decades of the twentieth century. Chapter Six is concerned with the Chinese displacement of Stanislawsky to their traditional theatre. Chapter Seven demonstrates the ways Brecht and Meyerhold were displaced in contemporary Chinese theatre. Chapter Eight is a case study of ""mutual displacement"" as exemplified in some Shakespearean adaptations in Chinese traditional theatrical forms, demonstrating how both Shakespeare and the Chinese theatre are displaced in such intercultural adaptations." Made available in DSpace on 2015-09-28T15:11:52Z (GMT). No. of bitstreams: 2 license.txt: 4848 bytes, checksum: 96035ab3f5e1c23cc7138a224ce498bd (MD5) 9996691.pdf: 15943320 bytes, checksum: 5d5f53525bb455c8161b4765e6715b7b (MD5) Previous issue date: 2001 Embargo set by: Seth Robbins for item 87787 Lift date: Forever Reason: Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs U of I Only 260 p. Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2001. http://hdl.handle.net/2142/86506 (MiAaPQ)AAI9996691 eng Theater Poetics of Displacement: Twentieth -Century Chinese -Western Intercultural Theatre text Theatre Theatre University of Illinois at Urbana-Champaign Dissertation Ph.D.