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        <identifier>oai:www.ideals.illinois.edu:2142/87211</identifier>
        <datestamp>2023-07-11</datestamp>
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        <thesis xmlns="http://www.ndltd.org/standards/metadata/etdms/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.ndltd.org/standards/metadata/etdms/1.1/ http://www.ndltd.org/standards/metadata/etdms/1.1/etdms11.xsd http://purl.org/dc/elements/1.1/ http://www.ndltd.org/standards/metadata/etdms/1.1/etdmsdc.xsd">
          <dc:contributor>Xu, Gary G.</dc:contributor>
          <dc:creator>Xiao, Hui</dc:creator>
          <dc:date>2015-09-28T15:40:13Z</dc:date>
          <dc:date>2015-09-28T15:40:13Z</dc:date>
          <dc:date>10000-01-01</dc:date>
          <dc:date>2009</dc:date>
          <dc:date>2009</dc:date>
          <dc:description>"This project stands at the juncture of modern Chinese literature, post-socialist studies, cultural history of divorce, and critical studies about global middle-class cultures. Employing analytical tools mainly from literary studies, cultural studies and feminist theories, I examine stories, novels, films and TV dramas about divorce produced between 1980 and 2004, in the wake of China's ""economic reform and opening up"" as well as the post-Reform China's changing divorce scene. Investigating the transforming intersections of gender, family, and class, I argue that divorce is not simply represented as the disintegration of a conjugal family. Rather, divorce is represented more of a projection of the ongoing reconfiguration of Chinese family structure in alignment with the localization of a global middle-class culture, a intimate imagination of which has been circulated through imported films, TV dramas, domestic fiction, interior design magazines and so on. In other words, divorce representations play a key role in projecting and channeling the desire and fantasy of a middle-class domestic culture and in remapping a harmonious and self-contained domestic and psychic interior cut off from both the revolutionary past and the marketplace. Tackling rampant gender-related social problems in contemporary Chinese society, my research also seeks to address the predicaments that divorced women are confronted with in the process of actively negotiating their self-value and gender identity."</dc:description>
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  Previous issue date: 2009</dc:description>
          <dc:description>Embargo set by: Seth Robbins for item 88492
Lift date: Forever
Reason: Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs</dc:description>
          <dc:description>Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs</dc:description>
          <dc:description>U of I Only</dc:description>
          <dc:description>267 p.</dc:description>
          <dc:description>Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2009.</dc:description>
          <dc:identifier>http://hdl.handle.net/2142/87211</dc:identifier>
          <dc:identifier>(MiAaPQ)AAI3395545</dc:identifier>
          <dc:language>eng</dc:language>
          <dc:subject>Asian Studies</dc:subject>
          <dc:title>Representing Divorce, Reforming Interiority: Narratives of Gender, Class and Family in Post-Reform Chinese Literature and Culture</dc:title>
          <dc:type>text</dc:type>
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            <department>East Asian Languages and Cultures</department>
            <discipline>East Asian Languages and Cultures</discipline>
            <grantor>University of Illinois at Urbana-Champaign</grantor>
            <level>Dissertation</level>
            <name>Ph.D.</name>
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