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Michael Palenica-Roth Newman, John Kevin Weinmann, Leon Underwood 2015-09-28T15:51:07Z 2015-09-28T15:51:07Z 10000-01-01 2001 2001 "Chapters three and four examine the work of two classically trained (though otherwise very different modern poets, Percy Bysshe Shelley and Gerard Manley Hopkins. Chapter three discusses the ways in which Shelley used the ode form as a means of championing both his own poetry and his revolutionary political ideals. Chapter four discusses Hopkins's famous ode ""The Wreck of the Deutschland,"" and examines the ways in which the poem both praises and enacts a specifically Catholic ethics of assent to the divine will." Made available in DSpace on 2015-09-28T15:51:07Z (GMT). No. of bitstreams: 2 license.txt: 4848 bytes, checksum: 96035ab3f5e1c23cc7138a224ce498bd (MD5) 3017249.pdf: 10192169 bytes, checksum: 332b9846d986f7f612ab3215727f19ae (MD5) Previous issue date: 2001 Embargo set by: Seth Robbins for item 88560 Lift date: Forever Reason: Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs U of I Only 228 p. Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2001. http://hdl.handle.net/2142/87279 (MiAaPQ)AAI3017249 eng Literature, Classical The Ethics of the Ode: The Ancient Tradition and Two Modern Examples text Comparative Literature Comparative Literature University of Illinois at Urbana-Champaign Dissertation Ph.D.