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oai:www.ideals.illinois.edu:2142/87363 2023-07-11 col_2142_5131 col_2142_17355 com_2142_5130 com_2142_14307 com_2142_5126

Fineberg, Jonathan Cox, Lorraine Morales 2015-09-28T15:52:54Z 2015-09-28T15:52:54Z 10000-01-01 2001 2001 The progression of Immendorff's understanding and questioning of the formation of the self, made evident in his art, is shown to have evolved from an investigation of classifying external influences to a exceedingly personal introspective reflection. This study stands out from other studies for its concern with the interweaving of structural conceptions, symbolism and form. It addresses the totality of Immendorff's formal development to a greater extent than previous discussions and shows Immendorff's formal practice and ontological concerns to be a continuing form of activism. Made available in DSpace on 2015-09-28T15:52:54Z (GMT). No. of bitstreams: 2 license.txt: 4848 bytes, checksum: 96035ab3f5e1c23cc7138a224ce498bd (MD5) 3023039.pdf: 26532625 bytes, checksum: b0ec913cd41d4edc302b205111142e89 (MD5) Previous issue date: 2001 Embargo set by: Seth Robbins for item 88644 Lift date: Forever Reason: Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs U of I Only 484 p. Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2001. http://hdl.handle.net/2142/87363 (MiAaPQ)AAI3023039 eng Art History The Embrace of the Fragmented Self: The Art of Joerg Immendorff text Art History Art History University of Illinois at Urbana-Champaign Dissertation Ph.D.